保罗·奥斯特《日落公园》中次贷危机下的共通体书写

鲜于静　郭棲庆

内容提要：在小说《日落公园》中，保罗·奥斯特以现实主义的笔调再现了美国在9·11事件后次贷危机下所面临的经济和社会问题。城市边缘人物们在纽约布鲁克林区日落公园建构的共通体具有开放性和包容性，呈现出共通和共在的图景，体现了法国思想家南希“无用共通体”思想中的独体和他异、外展和暴露、分享和沟通等理念。通过书写纽约大都市共通体的建构及其未完成性，作家沉痛反思了次贷危机中城市断裂的群体以及个体生存危机，展现了他们对国家机器、传统封闭理念和压迫性权威的反叛与背离。危机中的人物渴望与他者共在，但却无法实现与他者的共融，共通体的脆弱性及其最终解散反映了当代资本主义社会群体缺乏凝聚力的困境。

关键词：保罗·奥斯特　《日落公园》　次贷危机　共通体

作者简介：鲜于静，北京联合大学旅游学院副教授，主要从事美国文学研究；郭棲庆，北京外国语大学英语学院教授，主要从事美国文学研究。本文系2021年度国家社科基金重大项目“美国族裔文学中的文化共同体思想研究”（21&ZD282）的阶段性成果。

Title: Community and the Subprime Crisis in Paul Auster’s Sunset Park

ABSTRACT: In his novel Sunset Park, Paul Auster uses a realistic tone to represent the social and economic problems that occurred during the post-9/11 subprime crisis. The community in the novel, represented by several urban fringe figures in Sunset Park in Brooklyn, New York City, is open and inclusive, presenting a picture of being in common and being with, and reflecting Jean-Luc Nancy’s idea of the “inoperative community” in relation to singularity and alterity, exposition and exposure, and sharing and communication. By writing about the construction and the incompletion of community in New York, Auster reflects on the fractured urban group and individual survival troubles in the subprime crisis, demonstrating the characters’ rebellion and deviation from the state apparatus, from closed traditional concepts, and from oppressive authority. The characters yearn to be with others, but they are unable to achieve fusion with others. The vulnerability and ultimate dissolution of the community reflect the dilemma of group cohesion in contemporary capitalist society.

Keywords: Paul Auster, Sunset Park, subprime crisis, inoperative community

Authors: Xianyu Jing <lytyujing@buu.edu.cn> is an associate professor at the Tourism College of Beijing Union University, Beijing, China (100101), specializing in American literature. Guo Qiqing <qqguo@263.net> is a professor at the School of English and International Studies, Beijing Foreign Studies University, Beijing, China (100089), specializing in American literature.

“破碎的星球”三部曲中的去殖民性地质推想

齐佳敏

内容提要：去殖民性是少数族裔推想小说作家的核心书写策略。美国非裔作家N.K.杰米辛在地质推想小说系列“破碎的星球”三部曲中，以构建去殖民性权力矩阵的推想书写来挑战殖民性认知。三部曲立足于非裔文学文化传统，在生命突变的想象中重构被剥削对象的本体论，在异灵地带中建立尺度间思维，揭示出地球和种族问题之间的隐秘关联。该写作策略从本体论和认知论两个层面展开对地球和奴隶的去殖民性地质推想，不仅打破了传统的殖民性认知桎梏，还为重构人与地球、统治者与被统治者之间的关系提供了新的视角，展现了推想小说以创造另类地质世界的方式促进环境正义的独特潜力。

关键词：N. K. 杰米辛　“破碎的星球”三部曲　地质　去殖民性

作者简介：齐佳敏，博士，广东外语外贸大学英语教育学院讲师，主要研究方向为非裔美国文学。本文为教育部人文社会科学研究青年基金项目“当代非裔美国女性科幻小说的未来书写研究”（22YJC752010）的阶段性成果。

Title: Geological Speculation of Decoloniality in the Broken Earth Trilogy

ABSTRACT: Decoloniality is an essential writing strategy for ethnic speculative fiction. In the Broken Earth trilogy, a series of geological speculative fiction, African American author N. K. Jemisin challenges colonial epistemology through speculative writing that constructs a decolonial power matrix. Rooted in African American literary and cultural traditions, the trilogy reconstructs the ontology of the colonized through the imagination of life mutations, and it uses interscalar thinking to reveal the hidden connection between the Earth and racial problems. This writing strategy develops geological speculations of decoloniality about the Earth and enslaved peoples from ontological and epistemological perspectives. It not only breaks the traditional constraints of coloniality but also provides a new lens for reimagining the relationship between humans and the Earth, as well as between the colonizers and the colonized, highlighting the unique potential of speculative fiction to promote environmental justice by creating alternative geological worlds.

Keywords: N. K. Jemisin, Broken Earth trilogy, geology, decoloniality

Author: Qi Jiamin <qijiamin@gdufs.edu.cn> is a lecturer at the School of English Education, Guangdong University of Foreign Studies, Guangzhou, China (510006), specializing in African American literature.

从城市荒原到财富进阶：当代美国犹太文学中的

经济脉络及其文化表征

秦　轩

内容提要：当代美国犹太文学中的经济叙事是凸现犹太人审时度势、胆大心细和精明机敏等商业思维的重要渠道，也是反思其民族禀性及历史变迁如何与当代美国资本主义文化相互契合的主要参照。诸多当代美国犹太文学经典作品呈现出“求生存”、“求发展”和“求创新”的经济脉络及追根溯源和文明互鉴的文化表征。其中美国物质文化、扩张文化与犹太传统文化的汇聚见证了犹太人如何从城市荒原走向财富进阶。他们在反抗与屈服的挣扎中缓解经济困境及身份政治的牵制；坚持本民族文化传承机制的同时接纳他者的文化认同；创新经济赛道从而以辩证的、科学的发展理念实现利益最大化。

关键词：当代美国犹太文学　经济脉络　文化表征

作者简介：秦轩，山东师范大学副教授，从事美国犹太文学研究。本文系国家社科基金青年项目“当代美国犹太小说的商业文化表征研究”（21CWW014）的阶段性成果。

Title: From Urban Wastelands to Wealth Progression: Economic Evolution and Its Cultural Representation in Contemporary American Jewish Literature

ABSTRACT: The economic narrative in contemporary American Jewish literature is an important channel to highlight Jews’ business thinking, such as their ability to assess the situation, and their courage, meticulousness, and shrewdness. It is also a major reference for reflecting on how their national nature and historical changes fit with contemporary American capitalist culture. Many contemporary American Jewish classics have presented an economic evolution from “seeking survival” through “seeking development”and then finally to “seeking innovation,” as well as tracing the origins and mutual learning of civilizations. The intersections between American material culture, expansionist culture, and Jewish traditional culture witness how the Jews went from urban wasteland to wealth progression. That is to say, they alleviate the constraints of economic dilemma and identity politics in the struggle between resistance and submission, insist on the national cultural inheritance mechanism while accepting the cultural identity of others, and innovate to maximize profitability through dialectical and scientific development concepts.

Keywords: contemporary American Jewish literature, economic evolution, cultural representation

Author: Qin Xuan <qinxuan150638@163.com> is an associate professor at the School of Foreign Languages, Shandong Normal University, Jinan, China (250014), specializing in American Jewish literature.

消费文化中的主体性危机

—马丁·艾米斯《金钱—绝命书》身体叙事研究

张　敏

内容提要：身体不仅具有生物属性，更具有文化属性；它是自我身份的可见载体，是构建主体性的重要因素。在《金钱—绝命书》中，马丁·艾米斯将身体作为核心叙事动力，呈现了身体客体化、暴力化与疾病化三种叙事模式。这些极端化的身体叙事相互交织，揭示了后现代消费社会文化语境下人类主体性的消解以及由此产生的焦虑。基于此，艾米斯希冀引导读者反思自我在消费社会中的定位，重新审视身体与身份的关系，探索主体性重构的可能性，最终寻求实现自我认同和精神安宁的路径。

关键词：马丁·艾米斯　《金钱—绝命书》　身体叙事　消费文化　主体性

作者简介：张敏，兰州大学外国语学院副教授，博士，主要研究方向为英国巴罗克文学与现当代英美文学。本文系教育部人文社科项目“英国16、17世纪巴罗克文学疾病诗学研究”（21XJA752005）、甘肃省普通高等学校英语教学改革研究项目“‘新文科’背景下英美文学课程建设研究”（Z202301）阶段性研究成果。

Title: The Crisis of Subjectivity in Consumer Culture: A Study of Body Narratives in Martin Amis’s Money: A Suicide Note

ABSTRACT: The body possesses not only biological attributes but also cultural ones; it serves as a visible vessel of self-identity and plays a crucial role in the construction of subjectivity. In Money: A Suicide Note, Martin Amis places the body at the center of the narrative, depicting it through the lenses of objectification, violence, and disease. These extreme representations of the body are intricately interwoven, exposing the dissolution of human subjectivity and the ensuing anxiety within the cultural framework of postmodern consumer society. In this context, Amis seeks to encourage readers to reflect on their position within consumer culture, re-evaluate the relationship between the body and identity, and explore the possibilities for reconstructing subjectivity, ultimately pursuing a path toward self-identity and spiritual peace.

Keywords: Martin Amis, Money: A Suicide Note, body narrative, consumer culture, subjectivity

Author: Zhang Min <zhangmin@lzu.edu.cn> is an associate professor at the School of Foreign Languages and Literatures, Lanzhou University, Gansu, China (730000), specializing  in English Baroque literature and contemporary British and American literature.

预谋与背叛：论麦克尤恩《我这样的机器》中的

情感编码与逻辑冲突

肖　润　陈　琦

内容提要：英国小说家伊恩·麦克尤恩在其作品《我这样的机器》中，打破了传统的人类与机器之间的二元对立框架，深入讨论了“人造生命”如何介入并参与人类生活，以及其个体情感与人类情感之间如何相互融合构建的问题，进而折射出人类所具有的负面情感倾向。小说不仅揭示了后人类时代人机情感互通所面临的复杂困境，还深刻剖析了个体情感退化对于消解人机共生界限以及改变整体情感结构的可能性。在“数字革命”这一宏大背景下，作品所探讨的乌托邦式的超人类主义未来愿景，为探索后人类时代的人机情感联结机制、建立情感互通的人机共同体提供了一种富有启发性的想象路径。

关键词：麦克尤恩　《我这样的机器》　元情感编码　情感逻辑

作者简介：肖润，上海外国语大学英语学院博士研究生，研究方向为比较文学。陈琦，上海外国语大学英语学院副教授，主要从事比较文学研究。本文为教外司留［2015］311号基金项目的阶段性成果。

Title: Premeditation and Betrayal: On Affective Encoding and Logical Conflicts in Ian McEwan’s Machines Like Me

ABSTRACT: British novelist Ian McEwan breaks down the traditional binary opposition between humans and machines, engaging in a profound discussion of how “artificial life” intervenes and participates in human life, and how its individual emotions intertwine with and construct human emotions, thereby reflecting the negative emotional tendencies inherent in humanity. The novel not only reveals the complex dilemmas faced by human-machine emotional interconnectivity in the posthuman era, but also deeply analyzes the possibility of individual emotional degeneration in dissolving the boundaries of human-machine symbiosis and altering the overall emotional structure. Against the grand backdrop of the “digital revolution,” the utopian vision of posthumanism as expressed in the novel provides an inspiring imaginative path for exploring the mechanisms of human-machine emotional connectivity in the posthuman era and establishing an emotionally interconnected human-machine community.

Keywords: Ian McEwan, Machines Like Me, meta-affective encoding, affective logic

Authors: Xiao Run <Xiaorun98@163.com> is a Ph.D. candidate from the School of English Studies, Shanghai International Studies University, Shanghai, China (200083), specializing in comparative literature. Chen Qi <chqi@shisu.edu.cn> is an associate professor at the School of English Studies, Shanghai International Studies University, Shanghai, China (200083), specializing in comparative literature.

《裂痕河》：“反—历史”书写与安的列斯身份构建

陶　沙　高　方

内容提要：法国作家爱德华·格里桑的小说处女作《裂痕河》描写了马提尼克的革命运动，常被认为具有政治色彩。在反殖民、求独立的介入主题之下，文本通过克里奥尔化的叙事语言追寻安的列斯群岛的苦难历史，解构西方中心主义话语体系，形成一种自我发现、自我揭露的“反—历史”书写。作为作家后续小说的“元文本”，《裂痕河》批判性继承了当代法语文学先驱艾梅·塞泽尔的“黑人性”观念，开启关于安的列斯文化身份的思考，衍生出“安的列斯性”、“克里奥尔化”、“关系”、“全—世界”等一系列倡导“多元”与“平等”的理论概念与分析工具。

关键词：格里桑　《裂痕河》　安的列斯　文化身份

作者简介：陶沙，南京大学外国语学院博士研究生，南京传媒学院讲师，研究方向为法语文学、翻译学；高方，南京大学外国语学院教授，博士生导师，研究方向为翻译学、法语文学与比较文学。

Title: La Lézarde: “Counter-history” Writing and the Construction of Antillean Identity

ABSTRACT: Owing to its portrayal of the Martinican revolutionary movement, édouard Glissant’s debut novel La Lézarde is often regarded as politically charged. Beneath its themes of anti-colonialism and the quest for independence, the text, through its creolized narrative, delves into the traumatic history of the Antilles, dismantling Western-centric discourse and forging a mode of “counter-history” focused on self-discovery. As a “meta-text” for subsequent novels, La Lézarde critiques inherited notions of “Négritude” from Aimé Césaire, initiating reflections on the cultural identity coming out of the Antilles and giving rise to a series of theoretical tools advocating “diversity” and “equality,” such as “Antillanité,” “creolization,” “Relation,” and “Tout-monde.”

Keywords: édouard Glissant, La Lézarde, the Antilles, cultural identity

Authors: Tao Sha <alexandre1222@163.com> is a Ph.D. candidate at the School of Foreign Studies, Nanjing University, Nanjing, China (210000), specializing in French literature and translation studies. Gao Fang <gaofang@nju.edu.cn> is a professor at the School of Foreign Studies, Nanjing University, Nanjing, China (210000), specializing in comparative literature and translation studies.

《遗失的孩子》中的加勒比混血儿与后克里奥尔想象

金　冰　方迦一

内容提要：加勒比裔英国黑人作家卡莱尔·菲利普斯的小说《遗失的孩子》与维多利亚时期小说《呼啸山庄》形成互文，赋予主人公“希斯克利夫”以加勒比黑人混血的身世背景，再现了跨大西洋奴隶交易的历史经历，因此被视为典型的“黑色新维多利亚小说”。借助加勒比混血意象的呼应，小说介入对英国—加勒比殖民历史的探讨，挑战了基于地域和种族单一性传统的“英国性”，并以此经历审视当代加勒比移民难以获得英国主流社会接纳的困境。小说将伦敦刻画为克里奥尔化的现代都市空间，走向一种跨国的克里奥尔实践，彰显了菲利普斯对更具包容性英国社会的愿景。

关键词： 卡莱尔·菲利普斯 《遗失的孩子》　黑色新维多利亚小说　后克里奥尔想象 加勒比文化身份

作者简介：金冰，对外经济贸易大学英语学院教授，研究方向为现当代英美文学。方迦一，对外经济贸易大学英语学院博士研究生，研究方向为现当代英美文学。本文为国家社科基金重大项目英国文学经济思想史（22&ZD289）的阶段性研究成果。

Title: Mixed-Race Caribbeans and Post-Creole Imagination in The Lost Child

ABSTRACT: In The Lost Child, Caryl Phillips, a well-known black British writer of Caribbean descent, engages in intertextuality with the Victorian classic Wuthering Heights by reimagining the central character Heathcliff as an Afro-Caribbean mixed-race child. The Lost Child is a prime example of the so-called “black neo-Victorian novel.” By invoking the image of mixed-race Caribbeans in both historical and contemporary narratives, Phillips probes into Britain’s slaveholding past and poses challenges to the traditional notion of “Englishness” based on monolithic geographical and racial identities, thus reflecting on the predicaments of contemporary Caribbean immigrants striving for mainstream acceptance. The novel depicts London as a creolized modern urban space featured by a transnational creolizing practice, which foregrounds Phillips’s vision for a more inclusive and diverse British society.

Keywords: Caryl Phillips, The Lost Child, black neo-Victorian novel, post-Creole imagination, Caribbean cultural identity

Authors: Jin Bing <jinbing2001@hotmail.com> is a professor at the School of International Studies, University of International Business and Economics, Beijing, China (100105), specializing in contemporary British and American literature. Fang Jiayi <202100612022@uibe.edu.cn> is a Ph.D. candidate at the University of International Business and Economics, Beijing, China (100105), specializing in contemporary British and American literature.

第三世界后殖民现实主义小说的民族想象

 —以牙买加作家郑锦辉为例

胡宝平

内容提要：以爱德华·萨义德和霍米·巴巴为代表的后殖民主义理论家批评现实主义小说，指其想象同质、同化的民族共同体。牙买加作家郑锦辉这样的第三世界后殖民现实主义作家的作品，显示出不同于萨义德和巴巴理论中的民族想象形式。郑锦辉的短篇小说围绕加勒比地区特别而有典型性的“亲历”空间—华人杂货店，探讨独立后牙买加新的克里奥尔民族想象，该想象以去中心、去殖民为基础，目标是受压迫受剥削民族团结互信、彼此依赖、有限混杂而并不追求同质化的命运共同体。郑锦辉的现实主义故事以自觉的历史意识揭示白人殖民遗产对于前殖民地区民族想象的影响，也提醒人们：不加区分的反总体化未必适用于研究第三世界前殖民地的文学—政治问题。

关键词：第三世界 后殖民现实主义　民族想象　历史意识

作者简介：胡宝平，华南师范大学外国语言文化学院副教授，主要从事英美文学研究。

Title: National Imagination in Third-World Postcolonial Realist Fiction: The Example of Victor Chang

ABSTRACT: Representative postcolonial theorists like Edward Said and Homi Bhabha criticize realist novels for imagining nations that are homogeneous and homogenizing in nature. Victor Chang, a third-world postcolonial realist writer from Jamaica, exhibits a mode of national imagination different from what Said and Bhabha have theorized. His short stories revolve around a peculiar yet typical “lived” space in the Caribbean, namely the Chinese shop, and explore the imagination of a new Creole nation after Jamaica’s independence, an imagination grounded in decentralization and decolonization. It aims at a community of shared destiny that is characterized by solidarity, mutual trust, and dependence, with limited hybridization between the formerly oppressed and exploited ethnic groups, entailing no homogenization. With explicit historical consciousness, Chang’s realist stories expose the impact of white colonial legacies on the national imagination in ex-colonies and warn that indiscriminate anti-totalization may not be fitting for studying literary-political issues in the third-world ex-colonies.

Keywords: third world, post-colonial realism, national imagination, historical consciousness

Author: Hu Baoping <hubaoping@m.scnu.edu.cn> is an associate professor in the School of Foreign Studies, South China Normal University, Guangzhou, China (510631), specializing in British and American literature.

《奥麦罗斯》中的记忆书写与世界主义理想

李晨龙

内容提要：世界主义、记忆是探讨德里克·沃尔科特基于身份、经历和思想创作的长篇叙事诗《奥麦罗斯》主题的重要视角。诗人不仅关注到加勒比的“失忆症”，还从去殖民性揭示了殖民者的资源掠夺、大屠杀，殖民者阐释记忆的霸权，殖民地人民对现代性的盲目崇拜是失忆的原因。为了唤起消逝的记忆，他以梦境归乡的文学形式再现返回非洲运动，提出同幸存者对话、沉浸式艺术、宗教这三种重访过去的路径。最终，他将记忆视为“联结的纽带”，从伦理道德、文化艺术的维度探讨了不同族群共享相似的记忆，实现“不同而和，美美与共”的世界主义理想的可能。

关键词：德里克·沃尔科特　《奥麦罗斯》 世界主义　记忆

作者简介：李晨龙，华中师范大学外国语学院硕士研究生，主要研究方向为比较文学、英语诗歌、西方文论。本文系国家社科基金重大项目“流散文学与人类命运共同体研究”（21&ZD277）的阶段性成果。

Title: Memory and Cosmopolitanism in Omeros

ABSTRACT: Cosmopolitanism and memory are important perspectives for exploring the themes of Omeros, a long narrative poem based on Derek Walcott’s identity, experiences, and thoughts. Walcott not only pays attention to the “amnesia” in the Caribbean, but also reveals, through decoloniality, that the colonizers’ plundering of resources and massacres, the hegemony of the colonizers’ interpretation of memory, and the colonial people’s blind worship of modernity are causes of the Caribbean people’s amnesia. In order to revive faded memories, Walcott uses the literary form of homecoming through dreams to represent the Back-to-Africa Movement, and proposes three paths to revisit the past, i.e., dialogue with survivors, immersive arts, and religions. Ultimately, he regards memory as a bond and explores the possibility of different ethnic groups sharing similar memories in order to realize the open and inclusive cosmopolitan ideal from the perspectives of ethics and morality as well as culture and the arts.

Keywords: Derek Walcott, Omeros, cosmopolitanism, memory

Author: Li Chenlong <chenlongnick@qq.com> is an M.A. candidate at the School of Foreign Languages, Central China Normal University, Wuhan, China (430079), specializing in comparative literature, English poetry, and literary theories.

“形式的意义”： 《动物的生命》与库切的形式实验

李亚飞

内容提要：《动物的生命》在文本中混杂虚构故事、演讲、辩论、学术评论等多种表意形式，致使其成为一种在文类上难以界定的叙事实践。“后现代元小说”这一笼统术语难以完整描述该文本的形式创新。本文认为，此种形式的含混使库切超越了以批判人类中心主义来提倡动物权利的简单逻辑。库切在讨论动物问题时将叙事形式确定为一种资源，其跨文类的书写实践并非旨在以虚构叙事中的“读心能力”和“对话性话语”去实现叙事形式的标新立异，而是要通过充分调动虚构叙事的形式资源去建构一种关于动物的“他异性伦理”。库切将叙事形式与伦理探索勾连起来，由此反思文学叙事的社会功用，因而该文本可以被认为是库切透过特定形式实验去追问虚构形式有何意义的尝试。

关键词： 库切 《动物的生命》　他者　虚构　伦理

作者简介：李亚飞，电子科技大学外国语学院副教授，博士，主要研究方向为叙事学与当代英语小说。本文系国家社科基金项目“当代非洲英语后殖民小说与审美现代性研究”（23XWW004）的阶段性成果。

Title: “The Significance of Form”: The Lives of Animals and Coetzee’s Formal Experiment

ABSTRACT: J. M. Coetzee’s The Lives of Animals blends a variety of signifying forms, including fictional story, lecture, debate, and academic commentary, which makes the text a narrative practice that cannot be easily categorized into an established genre. Such formal innovation cannot be fully explained by the general term “postmodern meta-fiction.” This essay argues that its formal ambiguity helps Coetzee transcend the simple logic of defending animal rights by criticizing anthropocentrism. Coetzee takes narrative form as a kind of resource while discussing animal issues. Through transgeneric writing practice, he does not aim to construct an unconventional narrative form by referring to “mind-reading ability” and “dialogic discourses” in the novel. Instead, Coetzee fully exploits the formal resources of fictional narrative to build an “ethics of otherness” for animals. In doing so, he connects narrative form with ethical inquiry, thereby reflecting the social function of literary narratives. This text can be regarded as Coetzee’s attempt to explore the significance of fictional form through formal experiment.

Keywords: J. M. Coetzee, The Lives of Animals, Other, fiction, ethics

Author: Li Yafei <liyfine@uestc.edu.cn> is an associate professor at the School of Foreign Languages, University of Electronic Science and Technology of China, Chengdu, China (611731), specializing in narratology and contemporary Anglophone fiction.

《晚年样式集》中的历史记忆与希望书写

陈世华　徐诗云

内容提要：大江健三郎《晚年样式集》刻画了“3·11”东日本大地震与福岛核电站泄漏事故后，老作家长江古义人的家庭生活。小说运用复调叙事，以家庭边缘人物书写揭开了“3·11”后普通市民的历史记忆，暗示了隐藏于日本社会的家庭危机与社会危机；以互文手法展现政治右倾化趋势加剧的社会现状中，小说人物对现实危机的担忧与社会民主的呼求；借人物的反思之态和与历史、死者的对话，反映出大江对历史问题的反思与忏悔，体现出救赎心理与希望诉求。而其自我解剖与忏悔意识、绝望之希望意识，均承鲁迅文学思想遗风，即以人物命运反映历史命运，以忏悔寻求救赎，以希望书写传递光明主题。

关键词：大江健三郎 《晚年样式集》　复调　互文　历史记忆

作者简介：陈世华，南京工业大学外国语言文学学院教授，扬州大学博士生导师，主要研究方向为日本近现代文学及文论。徐诗云，南京工业大学外国语言文学学院硕士研究生，研究方向为日本近现代文学。本文系国家社会科学基金重点项目“日本‘护理’及老年题材文学研究”（20AWW003）、江苏高校哲学社会科学研究重大项目“日本‘海洋文学’及海洋教育研究”（2020SJZDA022）、国家社会科学基金重大项目“世界战争文学史研究”（22&ZD290）的阶段性成果。

Title: Historical Memory and Depiction of Hope in In Late Style

ABSTRACT: In his novel In Late Style, Kenzaburo Oe depicts the family life of an elderly writer, Choukou Kogito, following the 3/11 Great East Japan Earthquake and the Fukushima Daiichi nuclear disaster. A polyphonic narrative is employed in the novel to reveal the historical memories of ordinary citizens born after the earthquake, as represented by marginal figures in their families, which suggests hidden familial and social crises within Japanese society. The novel also uses intertextual techniques to depict the growing trend of political rightism in Japan’s current social situation, with characters expressing their concerns about the crisis and their call for social democracy. Through repenting characters and dialogues with history and the deceased, the novel shows Kenzaburo Oe’s reflections on historical issues and expresses his atonement psychology and appeal for hope. In addition, his self-dissection, repentance consciousness, and hope as shown in the novel are inherited from Lu Xun, who probes into historical fate through his characters, seeks redemption through repentance, and passes on hope through writing.

Keywords: Kenzaburo Oe, In Late Style, polyphony, intertextuality, historical memory

Authors: Chen Shihua <csh@njtech.edu.cn> is a professor of Japanese at the School of Foreign Languages and Literature, Nanjing TECH University, Nanjing, China (211816), specializing in early modern Japanese literature and literary theory. Xu Shiyun <xushiyun1998@163.com> is a graduate student at the School of Foreign Languages and Literature, Nanjing TECH University, Nanjing, China (211816), specializing in modern Japanese literature.

将东非作为方法

—论古尔纳《海边》中的流散书写

刘欣冉

内容提要：诺贝尔文学奖得主古尔纳的小说《海边》从两位东非流散者的回忆视角出发，讲述其离开桑给巴尔的痛苦过程，并通过故事讲述化解了家族仇恨。本文通过印度洋季风贸易、世界主义及水域身份认同等概念，探讨《海边》如何围绕东非的具体语境构建历史意识，从东非流散史中探询当代流散的前因后果，发掘前现代流散经验给当代流散者的启示，从而找寻重建身份认同的可能。古尔纳的流散写作跳出了后殖民叙事框架，真正实现了将东非作为方法。

关键词：古尔纳　《海边》　流散　世界主义

作者简介：刘欣冉，山东大学文学院研究生，主要从事后殖民和流散文学研究。

Title: East Africa as Method: On Diasporic Writing in Abdulrazak Gurnah’s By the Sea

ABSTRACT: The Nobel laureate Abdulrazak Gurnah’s novel By the Sea begins with the recollections of two East African exiles and narrates the arduous process of their departure from Zanzibar, ending with the resolution of familial enmity through storytelling. Through concepts such as the Indian Ocean monsoon trade, cosmopolitanism, and water-based identity, this essay explores how the novel constructs historical consciousness in the specific context of East Africa. The novel investigates the causes and consequences of contemporary diaspora within the history of exile from East Africa, discusses the insights pre-modern diaspora experiences can offer to contemporary exiles, and probes into the possibilities for reconstructing identity. Gurnah’s diasporic writing transcends the framework of postcolonial narrative by using East Africa as the method.

Keywords: Abdulrazak Gurnah, By the Sea, diaspora, cosmopolitanism

Author: Liu Xinran <13191568349@163.com> is a graduate student in the School of Literature, Shandong University, Jinan, China (250100), specializing in post-colonial and diasporic literature.

推想小说的世界性与未来性

王　宁

内容提要：在当今变化的时代，人们的工作和生活节奏及条件都发生了深刻改变，推想小说的异军突起从不同的角度反映了这个特点。实际上，作为一种跨界文类，推想小说主要是通过推理和想象故事情节并用流畅的文学语言写出。因而推想小说作为一种跨国界和跨时代的文学作品类别，其特征表现在它致力于反映现实生活中没有或根本不存在的事情，它着力描写的故事是指向未来的一些可能发生的事情。推想小说的出现在某种程度上反映了后现代主义之后文学想象力的进一步解放，它是科幻文学的自然延伸和发展。

关键词：推想小说　科幻小说　文类　想象力　世界性　未来的建构

作者简介：王宁，上海交通大学人文社会科学资深教授，欧洲科学院外籍院士，主要从事西方文论与比较文学与世界文学研究。本文系国家社科基金项目艺术学重大项目“新时代马克思主义中国化的艺术理论与实践研究”（23ZD03）的阶段性成果。

Title: The Cosmopolitan and Futuristic Nature of Speculative Fiction

ABSTRACT: In today’s ever-changing era, people’s work and life rhythms and conditions have undergone profound changes. The sudden rise of speculative fiction reflects these changes from different perspectives. They feature speculative, imaginative plots and fluent literary language. As a literary genre that transcends borders and eras, speculative fiction is characterized by its efforts to reflect on things that do not exist in real life and the known world. The emergence of speculative fiction in the era of globalization reflects to some extent the further liberation of literary imagination after postmodernism. It is a natural extension and development of science fiction and a branch of postmodernist literature.

Keywords: speculative fiction, science fiction, literary genre, imagination, cosmopolitanism, future construction

Author: Wang Ning <wangn22@sjtu.edu.cn> is Distinguished University Professor of Humanities and Social Sciences at Shanghai Jiao Tong University, Shanghai, China (200240), and a foreign member of Academia Europaea. He is mainly engaged in Western literary theory and comparative and world literature studies.

英国华人文学刊物《聚言集》的典型特征与文史价值

肖淳端

内容提要：《聚言集》是一份创办于20世纪90年代中期的英国华人双语文学杂志，自1995年创刊至2004年停刊。该刊主题涉猎广泛、体裁多样，且作者群体构成多元化。本文通过对《聚言集》作品的作者身份、题材选择及审美内涵的全面考察，旨在揭示其典型特征与文史价值。研究表明，《聚言集》以多元性、史料性、先锋性和族裔性为典型特征。作者的身份背景、创作语言及离散境遇赋予了该刊物独特的文学风格和重要的文学史地位。《聚言集》不仅在形塑英国华人文学传统中发挥了关键作用，其作品也与华人在英国的离散处境及中英两国的历史现实紧密关联，为研究英国华人的生存状况提供了珍贵的史料支持。

关键词：《聚言集》　英国华人文学刊物　文史价值 多元性 先锋性

作者简介：肖淳端，暨南大学外国语学院教授，主要研究方向为英国华人文学和海外华人诗学。本文为国家社会科学基金一般项目“前殖民地缘英国华人作家作品研究”（20BWW068）、广东省社科规划一般项目“英国华人文学刊物《聚言集》整理与研究”（GD19CWW06）和“21世纪亚裔美国作家生命书写研究”（GD24CWW01）阶段性成果。

Title: Characteristics and Significance of the British Chinese Literary Magazine Brushstrokes

ABSTRACT: Brushstrokes was a bilingual British Chinese literary magazine founded in the mid-1990s. Between 1995 and 2004, the magazine covered a wide range of themes, genres, and authorship. This article examines the authorship, subject matter, and aesthetic values of Brushstrokes, exploring its essential characteristics and significance in both literary and historical contexts. It argues that Brushstrokes was distinguished by its diversity, historical engagement, ethnic focus, and pioneering approach in both form and content. The unique backgrounds of its authors, including their linguistic choices for writing and diasporic conditions, gave Brushstrokes a distinctive style for representing history. The writings were deeply intertwined with the historical contexts of China and Britain, as well as the relationship between the two countries over time. Brushstrokes thus provides valuable historical materials for understanding the lived experiences of the British Chinese community.

Keywords: Brushstrokes, British Chinese literary magazine, historical value, diversity, pioneering approach

Author: Xiao Chunduan <txchd@jnu.edu.cn> is a professor at the College of Foreign Studies, Jinan University, Guangzhou, China (510632). Her academic research focuses on the fields of British Chinese literature and overseas Chinese poetics.

从“ 未言说”走向“言说”：

厄德里克作品的沉默与景观互现

梁心怡

内容提要：沉默与景观的交融成为后殖民批评的核心议题。路易斯·厄德里克以精湛的景观叙事技巧，深刻剖析了沉默的多维内涵。本文首先聚焦于本土裔作家如何利用景观叙事和沉默策略肩负文化传承与反思使命。随后，分析转向厄德里克如何在作品中运用隐喻性语言，在“言说”与“沉默”间构建平衡。这一探讨揭示了自然景观、神圣景观和身体景观中那些“不可言喻”、“不可知”和“不可名状”层面所蕴含的深刻意义、话语结构及修辞策略。最终，本文揭示了厄德里克如何以沉默的多维修辞重构本土景观叙事，开拓后殖民批评视野中的话语可能性。

关键词：路易斯·厄德里克　景观　沉默

作者简介：梁心怡，复旦大学外文学院博士研究生，主要从事美国文学研究。

Title: From “Unspoken” to “Spoken”: The Mutual Expression of Silence and Landscape

in Louise Erdrich’s Works

ABSTRACT: The interweaving of silence and landscape has emerged as a central theme in postcolonial criticism. Louise Erdrich, with her masterful landscape narrative techniques, delves into the multidimensional connotations of silence. This paper begins with a discussion of how Native American writers employ landscape narrative and silence strategies to shoulder the mission of cultural heritage and reflection. Then, it examines how Erdrich establishes a balance between “speaking” and “silence” by employing metaphorical language in her works. This exploration intends to uncover the profound meanings, discourse structures, and rhetorical strategies that underpin the “ineffable,” “unknowable,” and “unnamable” aspects of natural, sacred, and embodied landscapes. Consequently, the analysis reveals how Erdrich employs the multifaceted rhetoric of silence to reconstruct indigenous landscape narratives, expanding the discursive possibilities within the lens of postcolonial criticism.

Keywords: Louise Erdrich, landscape, silence

Author: Liang Xinyi <xinyiliang369@163.com> is a Ph.D. candidate at the School of foreign languages, Fudan University, Shanghai, China (200433), specializing in American literature.

《特别响，非常近》中“坠落的人”图像解读

韩若飞

内容提要：美国犹太作家乔纳森·萨福兰·福厄的小说《特别响，非常近》以丰富的视觉语言探索了“9·11”事件造成的心理创伤。本文围绕小说中极具象征性的“坠落的人”图像展开论述。该图像由真实摄影照片修改而成，嵌入小说的不同位置，凭借直观力量具象化再现心理创伤。在对图像的叙述与想象中，小说进一步实现了创伤的象征性超越。同时，读者因翻看图像介入柏格森意义上他者的“绵延”，走向对创伤的移情。本文从“坠落的人”图像出发，结合巴特与弗卢塞尔关于摄影图像方面的论述，梳理图像以单幅、模糊放大、连续多幅三种形式在小说中的呈现，探究福厄就恐怖袭击造成的心理创伤的文学阐释，指出小说对超越心理创伤的尝试和对读者移情的期待。

关键词：乔纳森·萨福兰·福厄　《特别响，非常近》　坠落的人　创伤　移情

作者简介：韩若飞，上海外国语大学上海全球治理与区域国别研究院博士生，研究方向为美国犹太文学。

Title: The Image of “the Falling Man” in Extremely Loud and Incredibly Close

ABSTRACT: Jonathan Safran Foer’s novel Extremely Loud and Incredibly Close explores the psychological trauma of the 9/11 attacks with rich visual language. This essay focuses on the highly symbolic image of “the falling man” in the novel, which is a modified version of a real photograph, embedded in different positions of the novel, directly visualizing the concomitant psychological trauma. With the imagination and visual reversal of the image of “the falling man,” the novel realizes the symbolic transcendence of trauma. The reader quickly flips through the images and is thus involved in Henri Bergson’s sense of duration of the Other, moving towards empathy with trauma. Drawing on Roland Barthes and Vilém Flusser, this essay examines the image of “the falling man,” tracing its three forms in the novel (single image, blurred and enlarged image, and continuous multiple images), explores Foer’s literary interpretation of the psychological trauma caused by the terrorist attack, and analyses the novel’s attempt to transcend psychological trauma and its expectation of readerly empathy.

Keywords: Jonathan Safran Foer, Extremely Loud and Incredibly Close, the falling man, trauma, empathy

Author: Han Ruofei <13840402425@163.com> is a Ph.D. candidate at the Shanghai Academy of Global Governance & Area Studies, Shanghai International Studies University, Shanghai, China (201620), specializing in Jewish American literature.

论《立体几何》和《追日》中的死亡书写

冯昱旻

内容提要：当代英国作家伊恩·麦克尤恩钟情于死亡主题的书写。本文借用法国哲学家吉尔·德勒兹提出的事件的不确定性和中立性理论，剖析他的小说《立体几何》和《追日》中的死亡事件，这些骇人的事件使得异化的夫妻关系彻底破裂，从而揭示出麦克尤恩对现代英国家庭中婚姻危机的审视和反思。

关键词：伊恩·麦克尤恩　《立体几何》　《追日》　死亡　事件　夫妻关系

作者简介：冯昱旻，南京大学文学院博士研究生，南京大学外国文学研究所编辑，研究方向为英美文学。

Title: A Study of Death Writing in “Solid Geometry” and Solar

ABSTRACT: Death is a recurring theme in the works of contemporary British writer Ian McEwan. This article draws on Gilles Deleuze’s idea about the uncertainty and neutrality of an event to analyze the death events in McEwan’s “Solid Geometry” and Solar. The terrifying events shatter alienated marital relationships, displaying McEwan’s examinations and reflections on marriage crisis in contemporary British families.

Keywords: Ian McEwan, “Solid Geometry”, Solar, death, event, marital relationship

Author: Feng Yumin <fym@nju.edu.cn> is a Ph.D. candidate majoring in comparative literature and world literature at the School of Liberal Arts, Nanjing, China (210023), specializing in British and American literature.

灾难性历史的凝结之物

 —论塞巴尔德作品中的“盐”隐喻

李　雯

内容提要：当代德语作家温弗里德·塞巴尔德常常以“盐”作为构建文学文本的基础元素，他无意于赞颂盐的经济价值及其对现代文明的推动作用，而是将盐的衍生物与灾难性历史紧紧勾连。首先，塞巴尔德的“盐柱”与本雅明的“历史天使”均保持着“面朝过去，背对未来”的独特姿态，作家通过文学创作来对抗记忆丧失、铭刻灾难性历史的希冀由此可见一斑。其次，“盐场”与温泉疗养胜地表面上构建了理想社会的宏伟蓝图，实际仍是独裁政权强化监视、奴役弱者的政治工具，两者互为灾难性历史之映射。另外，“盐泉”唤起了灾难亲历者沉重的历史记忆，它既是铭刻纳粹反犹罪行的记忆之泉，也是荡涤纳粹罪愆的忘忧之泉。最后，盐水蒸发浓缩形成结晶的过程不仅象征着作品中灾难性历史片段的积淀，还包含作家对读者从中发掘各种“盐结晶”、使之重焕光彩的期待。

关键词：温弗里德·塞巴尔德　灾难性历史　盐隐喻

作者简介：李雯，北京航空航天大学外国语学院德语系博士研究生，研究方向为近现代德语文学。本文受国家留学基金管理委员会建设高水平大学公派研究生项目（202306020160）资助。

Title: The Crystallization of Catastrophic History: On the Metaphor of Salt in W. G. Sebald’s Works

ABSTRACT: Contemporary German writer W. G. Sebald often uses “salt” as a fundamental element in constructing literary texts. Rather than extolling the economic value of salt and its contribution to modern civilization, Sebald closely intertwines salt derivatives with catastrophic history. First, Sebald’s “pillar of salt” and Walter Benjamin’s “angel of history” both adopt a distinct posture of “facing the past with their backs to the future,” reflecting the writer’s desire to resist memory erosion and inscribe catastrophic history through literary creation. Second, while the “saltworks” and the spas ostensibly construct a grand vision of an ideal society, in reality they serve as political tools of dictatorship to intensify surveillance and enslave vulnerable groups. They mirror the catastrophic history of each other. Furthermore, the “salt springs” invoke heavy historical memories in the survivors of the disasters. They symbolize both the fountain of memory, imprinting the Nazi regime’s anti-Semitic atrocities, and the fountain of forgetting, cleansing the guilt of the Nazis’ crimes. Lastly, the process of evaporation and crystallization of salt springs not only symbolizes the sedimentation of catastrophic historical fragments in Sebald’s works, but also embodies the writer’s expectation that readers will unearth those “crystallizations” and restore them to brilliance.

Keywords: W. G. Sebald, catastrophic history, metaphor of salt

Author: Li Wen <euniali@sina.com> is a doctoral candidate at the Department of German, School of Foreign Languages, Beihang University, Beijing, China (100191), specializing in modern German literature.

“神话现实主义”

 —论布朗肖《至高者》中隐匿的俄瑞斯忒斯神话叙事

陈　威

内容提要：布朗肖的长篇小说《至高者》并没有脱离现实，恰恰相反，它正是对现实的迫切回应。题目“至高者”源于荷尔德林对品达诗歌进行评论的散文残篇。以它为扭结，布朗肖浓缩了四十年代很多至关重要的思想与政治事件。小说所包含的与俄瑞斯忒斯悲剧同构的神话叙事是打开这一复杂文本的关键。它通过对代表西方起源性暴力的家庭悲剧进行差异性叙写，动摇了当时主流的、科耶夫化的黑格尔现代国家理论和法哲学的基础，从而隐晦地证明在正义的意义上，法则是不可能的，以之为基础的政治也是不可能的。或许可以把布朗肖这种用神话重写现实的叙事模式称为“神话现实主义”。

关键词：布朗肖　《至高者》　神话叙事　法则

作者简介：陈威，北京大学中国语言文学系博士研究生，研究方向：文艺学。

Title: “Mythological Realism”: On the Hidden Mythological Narrative of Orestes in Maurice Blanchot’s The Most High

ABSTRACT: Maurice Blanchot’s novel The Most High is not divorced from reality, but an urgent response to reality. The novel’s title originates from Friedrich H.lderlin’s short commentary on Pindar’s poetry. In it, Blanchot hides many important social thoughts and references to the political events of the 1940s. The mythological narrative in the novel, isomorphic with the tragedy of Orestes, is the key to reading this complicated text. By exploiting the family tragedy of Orestes, which is often regarded as describing original violence in the West, Blanchot disrupts the foundation of the popular Kojéve-based Hegelian modern state theory and legal philosophy, thus demonstrating that in terms of justice, neither law nor politics based on the law is possible. Blanchot’s narrative mode in reflecting reality could be defined as “mythological realism.”

Keywords: Maurice Blanchot, The Most High, mythological narrative, law

Author: Chen Wei <2101110743@pku.edu.cn> is a Ph.D. candidate in the Department of Chinese Language and Literature, Peking University, Beijing, China (100000). His research interest is in literature and art.

当代西方文学批评的动物转向

杨宗良

内容提要：20世纪80年代以来，西方文学批评领域的动物研究迅猛发展，呈现出“动物转向”的趋势，并逐渐形成“动物研究”这一独立的批评范式。动物研究先后历经了内外两个层面的转向：外部转向指的是由哲学领域的动物研究拓展到文学领域，以及生态批评领域由人与自然具体到人与动物的关系研究；内部转向则体现在动物研究的对象由实体动物到修辞性动物，主题从伦理批判到文化再现批评的转向。这些转向体现了动物研究从强调动物之于人的价值到承认动物自身价值的跨越性转变。然而，动物研究不管历经何种转向，都难以企及叙事的完全去人类化，无法达到对动物终极意义上的理解。尽管如此，这一范式对于了解动物、改善人与动物之间的关系以及审视人类自身仍具有重要意义。

关键词：动物转向　动物研究　动物伦理　动物批评

作者简介：杨宗良，山东大学—加州大学河滨分校联合培养博士研究生，研究方向为美国文学、动物研究。本文系国家社科基金项目“当代美国少数族裔传记文学中的生命政治研究”（20BWW062）的阶段性成果，并得到中国国家留学基金资助。

Title: The Animal Turn in Contemporary Western Literary Criticism

ABSTRACT: Since the 1980s, animal studies in Western literary criticism has rapidly developed, bringing about an “animal turn” and gradually forming an independent critical paradigm known as “animal studies.” Animal studies has experienced two major turns: an external turn, which refers to the extension of animal studies from philosophy to literature and from broad human-nature relations to specific human-animal relations; and an internal turn, which is reflected in the turn of the object of animal studies from real animals to rhetorical ones, and the theme from ethical criticism to cultural representation. These turns reflect a transformative change in animal studies from emphasizing the value of animals to human beings to acknowledging the intrinsic value of animals. Despite these turns, it is difficult to completely dehumanize the narrative and therefore impossible to achieve an ultimate understanding of animals. Nevertheless, this paradigm aims at understanding animals, improving human-animal relationships, and examining human beings.

Keywords: the animal turn, animal studies, animal ethics, animal criticism

Author: Yang Zongliang <yangzongliang2018@163.com> is a joint Ph.D. student from Shandong University, Jinan, China (250100) and the University of California, Riverside, USA (92521), majoring in American literature and animal studies.

 情感与伦理：当代英美分析美学与列维纳斯

他者理论比较研究

边文君  

内容提要：20世纪70年代以降，西方文论迎来伦理转向，其中英美分析美学和法国以列维纳斯为代表的他者理论共同聚焦情感与伦理的关系问题。在分析美学界关于伦理批评的讨论中，一些学者认为，文学能够为读者提供独特视角去体察、感受他人的处境和情感，通过这种情感认同，读者可以更好地理解和关怀他者。而基于列维纳斯理论所建立起的伦理批评则提倡一种以情动性/感受性为基础的伦理关系，通过保留人物情感的不可知性，来实现对他者的伦理关怀。两种观点虽切入点不同，但皆是从情感的角度去捍卫主体性，并致力于以情感为桥梁构建良性的主体间关系。在文学解读层面，二者可以实现一种互为参照、互为补充的视域融合，以破解现代与后现代之间同一与差异的矛盾困局。一方面以情动的他异性保持对情感认同的同一性的质疑，另一方面需积极倡导用文学语言对不可知的情动进行符号建构，将其纳入普适性的情感谱系的建设中，从而形成一种既有自反性又具包容性的良性循环。

关键词：列维纳斯　情感　情动　移情　伦理批评

作者简介：边文君，华中师范大学文学院博士生，主要从事西方文论研究。本文为国家社科基金重大项目“文学伦理学批评的理论资源与对外传播研究”（21&ZD264）的阶段性成果。

Title: Emotion and Ethics: Comparative Research on Contemporary Anglo-American Analytic Aesthetics and Levinas’s Alterity Theory

ABSTRACT: Since the 1970s, there has been an ethical turn generated in the western literary theories, in which Anglo-American analytic aesthetics and Levinas’s alterity theory both focus on the relation between emotion and ethics. In the discussion of ethical criticism within the field of analytic aesthetics, some scholars believe that literature can provide readers with a unique perspective to empathize with characters, thus better understanding and caring about the other, while ethical criticism based on Levinas’s theory advocates an ethical relationship on the basis of affectivity/sensibility, which preserves the unknowability of characters’ emotions to ethically care about the other. Despite the distinction, both views tend to defend subjectivity and strive to construct a harmonious intersubjective relationship through emotion. In terms of literary interpretation, they can realize the fusion of horizons to mutually refer to and complement each other, and also to find a way out of the paradox between sameness of modernity and difference of postmodernity. On the one hand, the alterity of affect can keep questioning the homogeneity of empathy; on the other hand, there is a need to actively advocate the symbolic construction of affect by literary language, so that it can be gradually included in the construction of the universal spectrum of emotion and forms a virtuous circle that is both self-reflexive and inclusive.

Keywords: Emmanuel Levinas, emotion, affect, empathy, ethical criticism

Author: Bian Wenjun <bianwenjun@mails.ccnu.edu.cn> is a Ph.D. candidate at the School of Chinese Language and Literature of Central China Normal University, Wuhan, China (430079), specializing in western literary theory.