迁徙、创伤与异托邦：毕肖普诗歌的流动性书写

刘露溪　李正栓

内容提要：20 世纪美国诗人伊丽莎白·毕肖普的诗歌以鲜明的流动性美学著称。本文通过剖析其作品中智性迁徙、创伤叙事与异托邦游历的三重维度，挖掘其作品颠覆权威话语、善于自我敞开和欣赏包容性的特点。毕肖普的流动性诗学消弭边界，超越二元对立，在解构与重构中编码人与世界的多元意义网络，其蕴含“他者”伦理的哲学底蕴不仅彰显了艺术创作的开放性与创新性，更启示着多元文明包容共生以及价值体系重构的可能。

关键词： 毕肖普 诗歌 迁徙 创伤 异托邦 流动性

作者简介：刘露溪，河北师范大学外国语学院副教授，硕士生导师，主要从事英美诗歌研究。李正栓，河北师范大学外国语学院教授，博士生导师，主要从事英美诗歌研究。本文系2024年度河北省高等学校英语教学改革研究与实践项目“师范高校背景下英语类一流专业特色课程建设研究与实践”（2024YYJG007）的阶段性成果。

Title: Migration, Trauma, and Heterotopia: Bishop’s Poetry of Mobility

ABSTRACT: Elizabeth Bishop is a renowned 20th-century American poet, whose poetry is marked by distinct forms of mobility. By illuminating the tripartite dimensions of intellectual migration, trauma narrative, and heterotopic exploration in her works, this paper highlights their reflective qualities, including her subvertion of authoritative discourses, embrace of self-disclosure, and celebration of inclusiveness. Bishop’s poetics of mobility dissolves boundaries, transcends binary oppositions, and constructs a pluralistic network of meanings that connects humanity and the world through deconstruction and reconstruction. Rooted in a philosophy of “the other,” her work not only exemplif ies the openness and creativity of artistic writing but also offers insights into the inclusiveness and shared development of diverse civilizations and the reconstruction of value systems.

Keywords: Elizabeth Bishop, poetry, migration, trauma, heterotopia, mobility

Authors: Liu Luxi <llxwishok@sina.com> is an associate professor at the School of Foreign Studies, Hebei Normal University, Shijiazhuang , China (050024), specializing in British and American poetry. Li Zhengshuan <zhengshuanli@126.com> is a professor at the School of Foreign Studies, Hebei Normal University, Shijiazhuang, China (050024), specializing in British and American poetry.

诺塔奇《毁灭》中的时间问题

李奕璇　韦清琦

内容提要：当代美国剧作家琳恩·诺塔奇的作品《毁灭》聚焦于刚果民主共和国东部地区的钶钽铁矿及其开采所引发的矛盾。钶钽铁矿作为数字时代的关键矿物，成为全球资源争夺的中心，其开采和交易在推动技术发展的同时，也导致了这一地区长期的暴力冲突和社会动荡。剧作深入刻画了这一时期各种关系之间的复杂互动，揭示了权力、资本和暴力交织的深层结构。本文从时间维度入手，解析钶钽铁矿与经济时间、土著时间、地质时间以及舞台表演之间的交叠呈现，展现资源开采如何塑造时间的流动，并在全球资本主义体系中制造出断裂与不均衡。

关键词：琳恩·诺塔奇　《毁灭》　数字矿物　时间

作者简介：李奕璇，东南大学外国语学院博士研究生，研究方向为当代美国戏剧、生态批评。韦清琦，东南大学外国语学院教授，博士生导师，研究方向为英美文学、生态批评。本文系江苏省研究生科研与实践创新计划项目“诺塔奇戏剧空间与当代美国社会空间的融合研究”（KYCX24_0352）和国家留学基金委“高水平大学国家公派研究生项目”（202306090225）的阶段性成果。

Title: Temporal Issues in Lynn Nottage’s Ruined

ABSTRACT: Ruined, written by contemporary American playwright Lynn Nottage and set in the eastern Democratic Republic of the Congo, explores the conflicts and human struggles that arise from the extraction of coltan. As a pivotal mineral in the digital age, coltan has become a focal point of global capitalist competition. While the extraction and trade of coltan drive the advancement of digital technologies, they also fuel violent conflict and social instability. Ruined portrays the complex interactions between various forces, uncovering the underlying structures in which power, capital, and violence are intertwined. This article analyzes these interactions across multiple timeframes: economic time, indigenous time, geological time, and the temporality of theatrical performance. It reveals how resource extraction shapes our perceptions of timescales and creates fractures and asymmetries within the global capitalist system.

Keywords: Lynn Nottage, Ruined, digital minerals, time

Authors: Li Yixuan <liyixuan2019@163.com> is a Ph.D. candidate at the School of Foreign Languages, Southeast University, Nanjing, China (211189), specializing in contemporary American theatre and ecocriticism. Wei Qingqi <njwqq@yeah.net> is a professor at the School of Foreign Languages, Southeast University, Nanjing, China (211189), specializing in English and American literature and ecocriticism.

论奥克塔维娅·巴特勒“寓言”系列小说中的怀旧书写

曹叔荣　戚 涛

内容提要：新自由主义作为一种主流话语，深刻形塑了当代美国怀旧文化。结合怀旧理论，聚焦非裔美国作家奥克塔维娅·巴特勒“寓言”系列中多样化怀旧叙事的表征、认知图式与功效，大致拼贴出新自由主义语境下美国民众建构稳定性的多元路径。巴特勒借围墙社区的覆灭喻示沉湎于虚幻过去的“退行型怀旧”无法纾解现实暴力；而极右势力的复苏则暴露了怀旧情感遭遇政治话语操控的后果。反之，劳伦的乌托邦愿景代表了一种“反思性怀旧”实践，立足于对现实的批判性认知，提出突破当下桎梏的替代性未来图景。巴特勒的怀旧书写构成了解码新自由主义文化政治的棱镜，揭示了文学叙事与社会结构、意识形态以及认知心理之间复杂的关联。

关键词：奥克塔维娅·巴特勒 “寓言”系列 怀旧 稳定性 新自由主义

作者简介：曹叔荣，广东工业大学外国语学院讲师，研究方向为美国非裔文学。戚涛，安徽大学外语学院教授，主要从事美国文学、文学理论研究。本文系国家社科基金一般项目“美国文学现代怀旧思潮的历史维度（1830—1950）”（21BWW003）的阶段性成果。

Title: On Narratives of Nostalgia in Octavia Butler’s Parable Series

ABSTRACT: The dominant discourse of neoliberalism has profoundly shaped contemporary American nostalgic culture. This essay examines the manifestations, cognitive schemas, and diversif ied nostalgic narratives in African American writer Octavia Butler’s Parable series, thereby roughly mapping the multifaceted pathways through which the American populace constructs stability in the context of neoliberalism. Butler depicts the collapse of a gated community to demonstrate how “regressive nostalgia,” fixed on an illusory past, fails to address real-world violence. Meanwhile, the resurgence of the far right exposes the consequences of nostalgic sentiment being manipulated by political discourses. In contrast, Lauren’s utopian vision embodies a practice of “reflective nostalgia,” grounded in a critical understanding of reality and envisioning an alternative future to transcend current constraints. Butler’s nostalgic writing serves as a prism for decoding the cultural politics of neoliberalism, unveiling the intricate relationship between literary narratives, social structures, ideologies, and cognitive psychology.

Keywords: Octavia Butler, Parable series, nostalgia, stability, neoliberalism

Authors: Cao Shurong <caoshurong@163.com> is a lecturer in the School of Foreign Languages, Guangdong University of Technology, Guangzhou, China (510420). Her research focuses on African American literature. Qi Tao <qitao@ahu.edu.cn> is a professor in the School of Foreign Studies, Anhui University, Hefei, China (230601), specializing in American literature and literary theory.

《送奶工》的北爱冲突新书写

陈 丽

内容提要：北爱冲突小说历经60年发展，在新世纪藉由高涨的女性主义浪潮以及英国脱欧引发的政治焦虑焕发出新的创作活力，并在艺术表现上出现明显的情感转向。小说《送奶工》是新冲突小说的优秀代表。小说在《贝尔法斯特协议》之后的新时代背景下反思北爱冲突遗产，祛魅军事民族主义与父权制长期合谋形成的以暴力为主导的男性气质范式，主张以情感依存为基重建更为健康的两性和社会关系，探索了情感在抵抗暴力和重建日常生活方面的巨大力量。这一新趋势不仅例证了情感在北爱冲突新书写中的重要作用，也反映出以伯恩斯为代表的当代作家对殖民创伤、历史包袱和暴力遗产等北爱问题的新思考。

关键词：北爱冲突小说 安娜·伯恩斯 创伤书写 身体 情感

作者简介：陈丽，北京外国语大学英语学院教授、爱尔兰研究中心主任，研究方向为现当代爱尔兰文学。本文系国家社科基金重大项目“21世纪英语文学纪事与研究”（23&ZD304）的阶段性成果，并感谢美国圣母大学基奥—诺顿图书馆研究奖的慷慨资助。

Title: New Explorations of the Troubles Writing in Milkman

ABSTRACT: Spurred by feminist momentum and Brexit-induced political anxieties, the Troubles f iction has evolved into a new creative tide in the 21st century, embracing an “affective turn” in its artistic expression. Milkman is a prime example. Written in the post-Belfast Agreement era, the novel looks back on the 1970s to interrogate the Troubles heritage disenchanting the myth of violent masculinity, rendered hegemonic by the complicity of militant nationalism and patriarchy. It suggests ways to restore the politically disrupted life by emphasizing the importance of emotional interdependence in establishing more responsible gender and community relationships. This new trend not only underscores the pivotal role of emotions in new Troubles writing but also reflects how contemporary writers, represented by Anna Burns, rewrite long-standing issues like colonial trauma, historical burdens, and the legacy of violence.

Keywords: Troubles f iction, Anna Burns, trauma writing, body, emotion

Author: Chen Li <chenli339@bfsu.edu.cn> is a professor of English and director of the Irish Studies Center at Beijing Foreign Studies University, Beijing, China (100089), specializing in contemporary Irish literature.

《霍比特人》与《魔戒》：托尔金对英国

民族性的反思与重构

陈　兵

内容提要：托尔金的代表作《霍比特人》和《魔戒》在奇幻故事的外表下寄托着对于英帝国的未来和英国性的严肃思考。在两次世界大战后英国已经开始衰落的背景下，富于爱国主义精神的托尔金依然视英国为世界领袖与和平守护者。为此，他在这些作品中对于英国民族性格中的弱点进行了反思，倡导国际视野、责任感、传统英雄主义精神与包容的多元文化品格，试图以此重构英国民族性格以维护世界和平与既定的秩序。但他的保守主义立场也使其多元文化观念中表现出父权制和种族主义思想等局限性。

关键词：J. R. R.托尔金 《霍比特人》 《魔戒》 英帝国 英国性

作者简介：陈兵，南京大学外国语学院教授，主要研究领域为英美文学。本文系2022年度国家社科基金项目“社会转型期英国奇幻小说中的共同体思想研究”（22BWW055）的阶段性成果。

Title: The Hobbit and The Lord of the Rings: Tolkien’s Reflection on Englishness and His Attempt at Its Reconstruction

ABSTRACT: The Hobbit and The Lord of the Rings, Tolkien’s representative novels, demonstrate his serious reflections on the future of the British Empire and Englishness. With the decline of the British Empire after two world wars, the patriotic Tolkien still regards Britain as a world leader and peacekeeper. He reflects in these novels on the weaknesses of the British national character and advocates a global vision, a sense of duty, traditional heroism, and tolerant multiculturalism in his attempts to reconstruct British national character for the maintenance of world peace and order. However, Tolkien’s conservativeness also results in his limitation rooted in patriarchal and racial ideas.

Keywords: J. R. R. Tolkien, The Hobbit, The Lord of the Rings, British Empire, Englishness

Author: Chen Bing <bchen@nju.edu.cn> is a professor at the School of Foreign Studies, Nanjing University (210023), specializing in British and American literature.

《签名收藏家》中拟真世界的后世俗建构

王爱菊　刘馨雅

内容提要：扎迪·史密斯在《签名收藏家》中模拟电影镜头，运用流行文化仿像构建出一个鲍德里亚式的拟真世界。在拟真世界里，真实的价值在仿像的狂热中被消解，后现代个体感受到无尽的虚空和意义的失却。但拟真世界里的神圣“灵韵”并未在仿像的复制增殖中消逝，而是以世俗化和多元化的方式回归。中犹混血的亚历克斯起初沉溺于拟真世界，后成为拟真电影的幕后操控者，他借助犹太教卡巴拉和中国禅宗《十牛图》建构出一条后世俗的回归现实之路，利用死亡的象征交换消解了二元对立和世俗理性主导的逻辑。他不仅跳脱出了鲍德里亚拟真理论对人类存在的悲观解释，还呼应了哈贝马斯建构性的后世俗观点。

关键词：扎迪·史密斯 《签名收藏家》 拟真 死亡 象征交换 后世俗

作者简介：王爱菊，武汉大学外国语言文学学院教授，主要从事英国文学研究。刘馨雅，武汉大学外国语言文学学院博士生，主要从事英国文学研究。

Title: Post-secular Construction in a Simulated World in The Autograph Man

ABSTRACT: In The Autograph Man, Zadie Smith emulates movie scenes and deploys popular culture simulacra to fabricate a Baudrillardian simulated world. Within this world, the worth of the real is eroded amidst the proliferation of simulacra, leaving the postmodern individual to grapple with a boundless void and meaninglessness. But the sacred “aura” in the simulated world does not disappear; instead, it returns in a secularized and diversif ied manner. Alex, of Chinese-Jewish origin, is initially addicted to the simulated world but grows into a manipulator of the simulated movie. He constructs a post-secular path back to reality with the help of the Kabbalah in Judaism and the Chinese Zen classic The Pictures of Ten Bulls. By leveraging the symbolic exchange of death, he dismantles the logic dominated by binary opposition and secular rationality. In doing so, he not only extricates himself from the pessimistic construal of human existence in Baudrillard’s simulation theory but also aligns himself with Habermas’s constructive post-secular perspective.

Keywords: Zadie Smith, The Autograph Man, simulation, death, symbolic exchange, post-secular

Authors: Wang Aiju <wangaiju@whu.edu.cn> is a professor at the School of Foreign Languages and Literature, Wuhan University, Wuhan, China (430072), specializing in British literature. Liu Xinya <liuxinya@whu.edu.cn> is a Ph.D. candidate at the School of Foreign Languages and Literature, Wuhan University, Wuhan, China (430072), specializing in British literature.

字典、信件与故事：《屈膝》中原住民的文化身份建构

王福禄

内容提要：塔拉·琼·文奇在《屈膝》中探讨了澳大利亚原住民的文化身份建构问题。小说以字典、信件和故事为语言媒介，探讨了原住民文化身份的追寻、错位和重构历程，揭露了白人殖民主义的暴力形态、影响及其在当下时代中的衍变。小说在用原住民眼睛“看”世界的同时，也融入非英裔白人视角，以复调的方式呈现土白种族冲突的历史和文化身份，强调了跨时空对话在辨别历史真伪和协商种族政治关系的作用，为理解21世纪原住民的文化身份建构提供了新视角。

关键词：塔拉·琼·文奇 《屈膝》 文化身份 字典 信件 故事

作者简介：王福禄，南通大学外国语学院讲师，研究方向为澳大利亚文学。本文系江苏省社科基金自筹项目“21世纪澳大利亚原住民小说的书写特征研究”（23WWD003）的阶段性研究成果。

Title: Dictionary, Letter and Story: The Construction of Indigenous Australian Cultural Identity in The Yield

ABSTRACT: Tara June Winch explores the construction of Indigenous Australian cultural identity in The Yield. Through the dictionary, letter and story as mediums of language, the novel examines the pursuit, dislocation and reconstruction of Indigenous Australian cultural identity, exposing forms of white colonial violence, their influence, and their evolution in the current era. Meanwhile, this novel incorporates Indigenous Australian and non-Anglo-Celtic perspectives to represent the contested histories and cultural identities of both Whites and Aboriginal people within a polyphonic structure. It highlights the role of intertemporal dialogue in distinguishing historical truth from falsehood and negotiating racial political relations, offering a new perspective on the construction of indigenous Australian cultural identity in the 21st century.

Keywords: Tara June Winch, The Yield, cultural identity, dictionary, letter, story

Author: Wang Fulu <flewking@163.com> is a lecturer at the School of Foreign Studies, Nantong University, Nantong, China (226019), specializing in Australian literature.

兰斯迈耶《时间的进程》的中国空间书写

郑家欣

内容提要：奥地利作家兰斯迈耶的小说《时间的进程》以京杭大运河、故宫、长城、热河为背景，讲述了英国钟表匠考克斯应乾隆之邀到中国制钟的故事。小说以空间化叙事打破单一的线性时间顺序，通过对中国空间浪漫化的审美观照和艺术处理，构建一个蕴含哀悼与疗愈等多重文化内涵的文学空间。考克斯的中国之旅也是他的自我反思与寻求精神家园的历程。作者尝试以此空间诗学实验突破中西文化二元对立的僵化思维框架，为破碎的后现代主体性营造一个诗意栖居之所。

关键词：兰斯迈耶 《时间的进程》 中国叙事 空间书写

作者简介：郑家欣，岭南师范学院文学与传媒学院助理研究员，研究方向为德语旅行文学。本文为广东省社会科学规划一般项目“21世纪德语旅行文学中的中国叙事研究”（GD24CWW02）的阶段性成果。

Title: The Spatial Writing of China in Ransmayr’s Cox or the Course of Time

ABSTRACT: Austrian writer Christoph Ransmayr depicts the Beijing-Hangzhou Grand Canel, the Forbidden City, the Great Wall, and Jehol as the story background in his novel Cox or the Course of Time. It tells a story of an English clockmaker, James Cox, who is invited by Emperor Qianlong to travel to China and make clocks for him. This novel disrupts linear chronological sequence through a spatialized narrative and constructs a literary space by observing and depicting Chinese space as a romantic landscape endowed with multiple cultural connotations such as mourning and healing. Cox’s travel to China is also a quest for a spiritual home through self-reflection. With this aesthetic experiment in spatial narrative, the author attempts to think beyond the binary opposition between Chinese and Western culture in order to construct a poetic refuge for the shattered postmodern subjectivity.

Keywords: Christoph Ransmayr, Cox or the Course of Time, China narrative, spatial writing

Author: Zheng Jiaxin <xinxin1412@hotmail.com> is an assistant researcher at the School of Literature and Media, Lingnan Normal University, Zhanjiang, China (524048), specializing in German travel literature.

《少年Pi的奇幻漂流》中的国族寓言隐形叙事

易 明　田俊武

内容提要：杨·马特尔的《少年Pi的奇幻漂流》通过讲述少年Pi与孟加拉虎的海上漂流及其精神成长历程，实则构建了一个关于印度与加拿大国族政治的隐性寓言。本文结合后殖民主义理论、魔幻现实主义手法和隐性叙事理论，试图解码小说中海上漂流故事背后隐藏的国族寓言书写。具体而言，Pi在漂流前于印度本地治里镇的多元信仰皈依，隐喻着后殖民语境下印度复杂的文化身份定位；而救生艇上孟加拉虎、其它动物与Pi之间充满张力的对抗、吞并与依存关系，这暗喻了加拿大在多元文化主义语境下的内部冲突，以及面对美国霸权时的防御与依赖。小说巧妙借助少年与猛虎的海上漂流这一魔幻叙事载体，完成了对后殖民时代印加两国民族身份困境的寓言化重构。这种双重叙事结构使作品既保持了表层故事的奇幻魅力，又承载了深层的国族政治隐喻，展现了马特尔作为移民作家对文化身份问题的深刻思考。

关键词：杨·马特尔　《少年Pi的奇幻漂流》　魔幻现实主义　后殖民主义　国族寓言　隐形叙事

作者简介：易明，洛阳理工学院外国语与国际传播学院副教授，研究方向外国文学。田俊武，北京航空航天大学外国语学院教授，博士生导师，主要研究方向为美国文学。本文为国家社科基金重大项目“英国旅行文学史”（22&ZD288）和国家社科基金一般项目（22BWW056）的阶段性成果。

Title: Covert Narrative of National Allegory in Life of Pi

ABSTRACT: Yann Martel’s Life of Pi ostensibly narrates the oceanic survival journey of a boy and a Bengal tiger, along with the protagonist’s spiritual growth, yet it simultaneously constructs a hidden allegory about the national politics of India and Canada. This paper employs postcolonial theory, magical realism, and Dan Shen’s theory of covert narrative to decode this submerged allegory within the seafaring tale. Specif ically, Pi’s multifaceted religious conversions in Pondicherry, India before the shipwreck metaphorically reflect India’s complex cultural identity in the postcolonial context. Meanwhile, the fraught dynamics of confrontation, domination, and interdependence among Pi, the Bengal tiger Richard Parker, and other animals on the lifeboat allegorize Canada’s internal conflicts under multiculturalism, as well as its simultaneous resistance to and reliance on American hegemony. Through the fantastical narrative vehicle of a boy’s survival journey with a wild tiger, the novel symbolically reconstructs the identity dilemmas of both India and Canada in the postcolonial era. This dual-layered narrative allows the novel to retain the enchanting allure of its surface story while carrying profound national-political undertones, demonstrating the incisive meditation of Martel, as an immigrant writer, on the complexities of cultural identity.

Keywords: Yann Martel, Life of Pi, magical realism, post-colonialism, national allegory, covert narrative

Authors: Yi Ming <joyfly9999@163.com> is an associate professor at the School of International Studies, Luoyang Institute of Science and Technology, Luoyang, China (471023), specializing in American literature. Tian Junwu <tjw1966@163.com> is a professor at the School of Foreign Languages, Beihang University, Beijing, China (100191), with a primary research focus on American literature.

非正义现实与正义想象：

库莱特《象舞》的后殖民生态解读

李震红　马秀鹏

内容提要：肯尼亚作家亨利·奥雷·库莱特的小说《象舞》讲述土著居民联合森林巡护员，智斗野生动物偷猎团伙、捍卫土地权的故事。本文从后殖民生态批评视角出发，解读小说对土地侵占、原始森林的破坏性开发、野生动物猎杀等环境非正义和种际非正义现实的揭露，以及对造成非正义的殖民主义及其意识形态下的种族主义和物种主义的批判；认为库莱特意图为濒危野生动物、土著居民乃至所有被压迫而无力抗争的弱势群体发声，并通过正义想象表达生态正义思想，赋予成长中的青年一代以解除殖民影响和伸张正义的力量。

关键词：库莱特 《象舞》 环境非正义 种际非正义 后殖民生态批评

作者简介：李震红，南京农业大学外国语学院副教授，主要从事20世纪英语文学研究和翻译理论与实践研究。马秀鹏，南京农业大学外国语学院教授，主要从事外国文学研究和翻译理论与实践研究。

Title: Realities of Injustice and Imaginations of Justice: A Postcolonial Ecocritical Interpretation of Kulet’s The Elephant Dance

ABSTRACT: Kenyan author Henry Ole Kulet’s novel The Elephant Dance tells a story about the indigenous people defending their land rights by outsmarting wildlife poaching gangs with the assistance of forest wardens. Taking the perspective of postcolonial ecocriticism, this essay analyzes how the novel exposes environmental injustices such as land grabbing and destructive development of virgin forests, and the inter-species injustice of wildlife poaching, as well as its criticism of colonialism, racism and speciesism under the colonial ideology that give rise to these injustices. The essay argues that Kulet speaks for the endangered wild animals, the indigenous people, and all the oppressed groups who are unable to f ight back, expressing his faith in ecological justice by imaginatively endowing the younger generation with the power of decolonization to achieve justice.

Keywords: Henry Ole Kulet, The Elephant Dance, environmental injustice, inter-species injustice, postcolonial ecocriticism

Authors: Li Zhenhong <lizhenhong@njau.edu.cn> is an associate professor of English at the School of Foreign Languages, Nanjing Agricultural University, Nanjing, China (210095), specializing in 20th-century world literature in English and translation studies. Ma Xiupeng <mxp@njau.edu.cn> is a professor of English at the School of Foreign Languages, Nanjing Agricultural University, Nanjing, China (210095), specializing in foreign literature and translation studies.

“活力之物”

 ——论印地语小说《心智》中的物书写

杨 柳　廖 波

内容提要：印地语小说《心智》以20世纪初的德里为背景，通过对空间与物的精妙书写，深入剖析了当时社会中性别关系、权力结构和文化变迁的复杂纠葛。在象征正统与边缘的“哈维利”和“法拉什卡纳”两大空间里，“物”不再是“沉默之物”，而是具有重要的叙事功能。它们不仅承载着文化意义，也深度参与并建构了人物的心理和情感世界，成为推动小说叙事发展的关键因素。

关键词：克里希纳·索波蒂 《心智》 物 印地语小说 空间

作者简介：杨柳，国防科技大学外国语学院博士研究生，研究方向为印度文学与文化。廖波，国防科技大学外国语学院教授，研究方向为印度文学与文化、国别与区域研究。

Title: Vitality of Things: On the Writing of Things in the Hindi Novel Dilo Danish

ABSTRACT: The Hindi novel Dilo Danish, set in early 20th-century Delhi, intricately explores the complex entanglements of gender relations, power structures, and cultural transformation through its subtle depiction of space and things. Within the two symbolic spaces of the Haveli and the Farashkhana, which represent orthodoxy and marginality respectively, things are no longer silent. Rather, they assume significant narrative functions. They not only embody cultural meanings but also actively shape the characters’ psychological and emotional worlds, becoming crucial agents that propel the narrative.

Keywords: Krishna Sobti, Dilo Danish, things, Hindi novel, space

Authors: Yang Liu <yangliu980305@163.com> is a doctoral candidate at the College of International Studies, National University of Defense Technology, Nanjing, China (210039), specializing in Indian literature and culture. Liao Bo <Lb_liao@163.com> is a professor at the College of International Studies, National University of Defense Technology, Nanjing, China (210039), specializing in, Indian literature and culture, country and region studies.

人与物的多维关系：论萨拉马戈的《准物体》

李雨轩

内容提要：萨拉马戈的短篇小说集《准物体》以极高的预见性探索了“物”的问题，呈现了物的多元形态：一是“如其本然”之物，抵抗或诱惑人；二是觉醒自我意志之物，强迫或反对人；三是居于人与物之间的生命体，在二者之间进行抉择。同时，《准物体》还将人与物的关系置于政治场景中加以表现。一方面，其间已生发出拉图尔“物的议会”的理论雏形，各种物以代言方式介入政治场域，发挥政治作用，自然与社会、人与非人的纯化界限被消解；另一方面，小说还展现了物的消失所诱发的人类政治的“例外状态”。萨拉马戈将这一切纳入他那融揭露与讽刺为一体的写作艺术之中。

关键词：萨拉马戈 《准物体》 杂合体 例外状态

作者简介：李雨轩，中国社会科学院文学研究所助理研究员，主要从事文艺理论研究。

Title: The Multiple Relations Between Humans and Objects: On Saramago’s Objecto Quase

ABSTRACT: José Saramago’s short story collection Objecto Quase explores the issue of “object” with remarkable prescience and presents a range of object forms: first, objects “as they are,” which resist or seduce humans; second, objects that have awakened to self-will, either compelling or opposing humans; and third, living beings situated between humans and objects, which also make choices between the two. Moreover, Objecto Quase places human-object relationships within political contexts. On the one hand, it foreshadows Latour’s concept of the “parliament of things,” where various objects intervene in the political f ields through representation, exerting political influence and dissolving the once-purif ied boundaries between nature and society, human and non-human. On the other hand, the stories depict the “state of exception” in human politics brought about by the disappearance of objects. Saramago integrates all of this into his writing style that blends revelation and satire.

Keywords: José Saramago, Objecto Quase, hybrid, state of exception

Author: Li Yuxuan <1103751638@qq.com> is an assistant researcher at the Institute of Literature, Chinese Academy of Social Sciences, Beijing, China (100732), specializing in literary theory.

论安妮·埃尔诺的跨界现实主义

常璐芸

内容提要：安妮·埃尔诺作为当代法国著名作家，不仅在文学形式上不断进行革新与探索，在现实主义实践上也打破了“再现论”的框架。她将个体的情感与社会结构、历史记忆紧密联结，构建了一种跨越自传与虚构、阶级审美、文学与民族志等边界的“跨界现实主义”。在自传与虚构的融合中，她将私人化写作视为已发生的真实，并视其为历史的一部分，同时把虚构理解为一种可能的真实；在阶级审美的超越方面，她通过对语言时态、日常口语的选择，以及对物象的描绘，实现审美经验的民主化；在文学与民族志的交叉中，她以个体经验寻找集体的普遍意义，以个人与当代为书写对象，区别于传统的人类学民族志记录。这种“跨界”实践打破了现实主义文学与现代性认知，使其不仅成为表达世界的方式，更成为历史生成的方式，极具反思性。

关键词：安妮·埃尔诺 跨界现实主义 跨学科

作者简介：常璐芸，天津师范大学文学院比较文学与世界文学专业博士生，主要研究方向为法语文学与世界文学理论。

Title: On Annie Ernaux’s Cross-Border Realism

ABSTRACT: As a prominent contemporary French writer, Annie Ernaux not only continually experiments with and reinvents literary forms, but also transcends the confines of “representationalism” in her realist practice. She intertwines individual emotions with social structures and historical memory, constructing a form of “transboundary realism” that bridges autobiography and f iction, class aesthetics, and literature and ethnography. Merging autobiography and f iction, she treats personal writing as actualized truth and an integral part of history while conceiving f iction as a potential reality. Transcending class aesthetics, she democratizes aesthetic experience through her choice of linguistic tenses, everyday speech, and depictions of objects. Intersecting literature and ethnography, she seeks collective universality through individual experience, focusing on the personal and the contemporary as subjects of writing, and distinguishing herself from traditional anthropological ethnographic documentation. This “transboundary” practice reconfigures the relationship between realist literature and modernity, transforming the former not only into a mode of expressing the world but also of historical production, imbued with profound reflexivity.

Keywords: Annie Ernaux, transdisciplinary realism, cross-boundary

Author: Chang Luyun <changluyun1210@163.com> is a Ph.D. candidate at the School of Literature, Tianjin Normal University, Tianjin, China (300387), specializing in French literature and theories of world literature.

关于新世纪后殖民叙事学的思考

申 丹

内容提要：进入新世纪以来，后殖民叙事学不断发展变化。与女性主义叙事学相比，同样注重将经典叙事诗学与政治议题相结合的后殖民叙事学更好地保持了自己的独立性和研究特色。我们需要回答以下问题：后殖民叙事学和女性主义叙事学在对经典叙事诗学的看法上有何本质差异？普林斯的后殖民叙事学如何策略性地捍卫和发展经典叙事诗学？后殖民叙事学有何新的研究动向？

关键词：后殖民叙事学 叙事诗学 策略性捍卫 新动向

作者简介：申丹，北京大学外国语学院一级教授、博雅讲席教授，主要研究方向为叙事学和英美文学

Title: Reflections on Postcolonial Narratology in the New Century

ABSTRACT: The 21st century has witnessed the sustained growth and transformation of postcolonial narratology. Compared with feminist narratology, postcolonial narratology, which similarly emphasizes the integration of classical narrative poetics with political issues, has better maintained its independence and distinctiveness. We need to address the following questions: What is the essential difference between postcolonial narratology and feminist narratology in viewing classical narratology? How does Prince’s postcolonial narratology defend and develop classical narrative poetics in a tactful way? What are the new developments in postcolonial narratology?

Keywords: postcolonial narratology, narrative poetics, tactful defense, new developments

Author: Shen Dan <shendan@pku.edu.cn> is Boya Chair Professor of English at Peking University, Beijing, China (100871), specializing in narratology and Anglo-American literature.

从跨文化视野展望当代马克思主义文论发展的辉煌前景

高旭东　朱浩然

内容摘要：本文首先就我国理论界马克思主义文艺观中的三大原则进行了辩证的理解与评述，认为反映论要脱离机械的认识论框架，强调审美和能动的反映，正视马克思原著中与反映论相悖的观点；人民中心论强调文学创作应扎根于人民群众，体现无产阶级解放的目标，但不能媚悦与迎合；而从“回到马克思”的角度看，在艺术上仅仅强调现实主义并不符合马克思、恩格斯的原意。本文探讨了西方马克思主义的理论资源与发展进程，进一步反思了中国文化传统与马克思主义的契合点，并且以此为契机试图从跨文化的视角，整合当代西方马克思文学理论的精华与中国传统文化注重整体性系统性两个方面的资源，使得马克思主义文学理论的发展在吸取当代国外理论精华的基础上与中国文化传统相结合，进而创造出具有创新性与超越性的马克思主义文学理论体系。

关键词：马克思主义文论 中国传统 跨文化 当代创新

作家简介：高旭东，上海交通大学人文学院教授，长江学者，中国人民大学文学院博士生导师，主要从事比较文学与现代文学研究。朱浩然，中国人民大学文学院博士生，主要从事当代欧美文学研究。

Title: A Cross-Cultural Perspective on the Glorious Future of Contemporary Marxist Literary Theory

ABSTRACT: This paper begins with a dialectical examination of three major principles in the Marxist view of literature and art within China’s theoretical discourse. It argues that reflection theory must break free from a mechanistic epistemological framework by emphasizing an aesthetic and dynamic form of reflection, while rigorously engaging those passages in Marx’s original texts that appear to challenge its premises. The people-centered principle insists that literary creation must be grounded in the people and oriented toward proletarian emancipation, yet must avoid flattery and populist indulgence. From the standpoint of “Returning to Marx,” an exclusive emphasis on realism in art does not align with the original intentions of Marx and Engels. The paper proceeds to explore the theoretical resources and development of Western Marxism, and reflects on points of convergence between Chinese cultural tradition and Marxism. Drawing on these insights, through a cross-cultural perspective, it seeks to integrate the essence of contemporary Western Marxist literary theory with key tenets of traditional Chinese culture, particularly its emphasis on holistic and systemic thinking. This synthesis aims to advance Marxist

literary theory by incorporating contemporary foreign theoretical achievements into the framework of Chinese cultural tradition, thereby paving the way for an innovative and far-reaching Marxist literary theoretical system.

Keywords: Marxist literary theory, Chinese tradition, cross-cultural perspective, contemporary innovation

Authors: Gao Xudong <gaoxudong116@aliyun.com> is a professor of Shanghai Jiao Tong University, Shanghai, China (200240), a professor of Renmin University of China, Beijing, China (100872), specializing in comparative literature as well as modern and contemporary literature. Zhu Haoran <zhuhaoran96@ruc.edu.cn> is a Ph.D. candidate at the School of Literature, Renmin University of China, Beijing, China (100872), specializing in contemporary American and European literature.

重燃的反叛

 —— 《西德尼·布鲁斯坦窗户上的标帜》与黑人激进主义在当代美国的复兴及影响

朱芮贤

内容提要：洛林·汉斯贝里是20世纪五六十年代美国最为重要的非裔剧作家之一，她因《阳光下的葡萄干》一举成名，并积极投身于争取黑人平等的社会活动。在当时复杂的局势下她本人及其创作也时常陷入争议。《西德尼·布鲁斯坦窗户上的标帜》是汉斯贝里创作并成功上演的第二部戏剧，包含着她对黑人激进主义以及自身反叛者身份的探索和拷问，然而在1964年上演时该剧却反响冷清，在她死后更是无人问津。2023年该剧在纽约重新上演并引发热议，展现出该剧思想的超前性和持久的生命力。另一方面，随着当代美国黑人激进传统研究的兴起，汉斯贝里的激进倾向和《标帜》在学术界也重新受到重视和解读。本文首先展现汉斯贝里激进者身份的争议与当代重构，勾勒《标帜》产生的背景。其次通过分析《标帜》与白人自由主义者的对话，进一步探究汉斯贝里的激进思想。最后论述在黑人激进主义和反抗运动复兴的当下，该剧对后种族时代神话以及白人自由主义者构成的有力挑战和

启示。

关键词：洛林·汉斯贝里 非裔戏剧 黑人激进主义 白人自由主义

作者简介：朱芮贤，中国人民大学在读博士，研究方向为当代美国戏剧。本文为国家社科基金重大项目“中外戏剧经典的跨文化阐释与传播”（20 & ZD283）的阶段性成果。

Title: The Sign in Sidney Brustein’s Window and the Revival of Black Radicalism in Contemporary America

ABSTRACT: During the 1950s and 1960s, Lorraine Hansberry was one of the most important African American playwrights in the United States. She rose to fame with A Raisin in the Sun and actively devoted herself to social movements for Black equality. In the complex circumstances of the era, she and her writings often became the subject of controversy. The Sign in Sidney Brustein’s Window was her second play successfully staged, embodying her exploration and critique of Black radicalism as well as her own identity as a rebel. However, when staged in 1964, the play received a lukewarm response and was totally forgotten after her death. In 2023, The Sign in Sidney Brustein’s Window was revived in New York, sparking heated discussion and revealing the play’s forward-looking ideas and enduring vitality. Meanwhile, with the rise of scholarship on contemporary African American radical traditions, Hansberry’s radical inclinations and The Sign in Sidney Brustein’s Window have once again drawn academic attention and reinterpretation. This paper f irst presents the controversies and contemporary reconstructions surrounding Hansberry’s identity as a radical, outlining the context in which The Sign in Sidney Brustein’s Window was produced. It then investigates Hansberry’s radical thought by analyzing the play in dialogue with white liberalism. Finally, it discusses how, in the current revival of Black radicalism and resistance movements, the play challenges the myth of a post-racial era and offers critical insights for white liberals.

Keywords: Lorraine Hansberry, Black theatre, Black radicalism, White liberalism

Author: Zhu Ruixian <18810805186@163.com> is a Ph.D. candidate at the School of Liberal Arts, Renmin University of China, Beijing, China (100872), specializing in contemporary American drama.

历史回响与文化困境：论《水之乡》的幽灵叙事

张 猛

内容提要： 《水之乡》中的幽灵叙事将个体创伤与更广泛的社会文化危机相连接，预言了马克·费什所提出的“未来的消失”这一新自由主义文化症候。小说通过对女性的道德化、幽灵化书写来解释个体现实困境，以家族史、地方史中的历史循环来应对进步史观崩塌后的认知困境。这一叙事策略不仅是维多利亚文学中父权文化及循环史观的复归，也映射了20世纪80年代英国新自由主义社会文化的停滞状态。本文以幽灵学为理论视角，考察文本中的创伤性幽灵、女性幽灵及文化困境，揭示小说中的历史如何以幽灵般的形式侵扰当下，以及个体如何在“未来的消失”的文化困境中寻求替代方案。

关键词： 《水之乡》 幽灵叙事 未来的消失 幽灵学 替代方案

作者简介：张猛，南开大学文学院博士生，研究方向为当代英国文学。

Title: Resonance of History and Cultural Dilemma: The Specter Narrative in Waterland

ABSTRACT: The specter narrative in Graham Swift’s Waterland connects individual trauma with broader socio-cultural crisis, foretelling the neoliberal cultural symptom identif ied by Mark F isher as the “cancellation of the future.” The novel explains personal dilemmas through the moralizing and spectralizing of female characters and grapples with the epistemological predicament after the collapse of the progressivist view of history through cyclical representations of family and local history. This narrative strategy not only revives the patriarchal culture and cyclical historiography common in Victorian literature but also reflects the socio-cultural stagnation of neoliberal Britain in the 1980s. Adopting hauntology as the theoretical framework, this essay examines the representations of traumatic ghosts, female ghosts, and cultural ghosts in the novel, and reveals how history haunts the present in spectral forms and how individuals seek alternatives in a cultural context where the future has seemingly disappeared.

Keywords: Waterland, specter narrative, cancellation of the future, hauntology, alternative solution

Author: Zhang Meng <1120220897@mail.nankai.edu.cn> is a Ph.D. candidate at the School of Literature, Nankai University, Tianjin, China (300110). His research interests focus on contemporary British literature.

借“疾病”隐喻诉文明之忧

 ——论美国剧作家爱德华·阿尔比的“具身”书写

文成君

内容提要：当代美国著名剧作家爱德华·阿尔比总为主角设计一系列疾病缠身的情境。过往创作者的“疾病书写”大多只发挥出“疾病”的情节功能、符号意义，但阿尔比则利用戏剧的“具身性”特质，用演员身体作为呈现“疾病”的载具，拓展出其媒介功能与现象学意义。从知觉现象学的层面来看，它们具有媒介功能（阻隔个体与他者）；疾病的呈现空间具有“景观”化特点（舞台空间作为资本主义文化幻象的换喻）。若结合他作品的特殊历史背景，可发现主角们的疾患、危机，共同影射出20世纪美国的社会危机：过度郊区化、老城区的衰败。其作品既呈现了美国“郊区化”进程中偏重经济所导致的人民生活剧变，又反思着资本主义社会中国家权力对公民主体性的侵蚀，抒发出深刻的文明之忧。

关键词：爱德华·阿尔比 疾病隐喻 具身呈现 景观化 郊区化

作者简介：文成君，中央戏剧学院博士研究生，研究方向为英美文学。

Title: Illness as a Metaphor for Civilizational Anxiety: The Embodied Writing of Edward Albee

ABSTRACT: American playwright Edward Albee often places his protagonists in a series of disease-ridden situations. Most earlier disease writings mainly serve narrative purposes or convey the symbolic meaning of disease, but Albee takes advantage of the embodied nature of drama, using the actor’s body as a vehicle to present illness and thereby expanding its medial function and phenomenological resonance. From the perspective of perceptual phenomenology, “illness as metaphor” has a media function (isolating the individual from others), and the space in which illness appears acquires the qualities of a spectacle (with the stage space serving as a metonym for the illusions of capitalist culture). Considered within the specif ic historical context of his work, the illnesses and crises of Albee’s protagonists collectively mirror the social crises of mid-20th-century America, namely excessive suburbanization and the decay of inner cities. His work not only portrays the profound disruptions caused by the uneven economic dynamics of American suburbanization but also reflects on the erosion of civic subjectivity by state power in the capitalist society, expressing deep concerns about modern civilization.

Keywords: Edward Albee, illness as metaphor, embodied presentation, spectacle, suburbanization

Author: Wen Chengjun <wchengj@126.com> is a Ph.D. candidate from the Central Academy of Drama, Beijing, China (100010), specializing in British and American literature.

 美国印第安人政策的三重显现：

论厄德里克《守夜人》的历史书写

刘相廷

内容提要：重构历史与另一视角的反思是美国族裔作家的常见叙事手法。美国印第安作家路易丝·厄德里克的历史小说《守夜人》以小人物的日常生活与个体记忆质疑宏大历史叙事权威，通过并置文学虚构与历史记录重新书写另一版本美国历史，解码官方同化政策企图消灭印第安人的真实目的。美国印第安人政策的三项重要措施，终结政策结束部落的主权与独立地位、重新迁移计划推动部落内部的分裂以及政府寄宿学校割裂文化的代际传承，给印第安族群带来了毁灭性影响。厄德里克不仅重新书写出被主流历史所掩盖的种族迫害与部落斗争史，还将族群生存经验与当代印第安人的现实处境相结合，艺术性地探寻族群的现实生存路径。

关键词：路易丝·厄德里克 《守夜人》 印第安人政策 历史重构

作者简介：刘相廷，南京师范大学文学院博士研究生，主要研究方向为英美文学研究。本文系2022年江苏省研究生科研创新计划“路易丝·厄德里克的‘跨界’书写研究”（KYCX22_1458）的阶段性成果。

Title: The Triple Revelation of U.S. Indian Policies: Historical Writing in Louise Erdrich’s The Night Watchman

ABSTRACT: Reconstructing history and offering alternative perspectives of reflection are common narrative techniques employed by American ethnic writers. In her historical f iction The Night Watchman, Louise Erdrich challenges the authority of grand historical narratives by examining the daily lives and individual memories of ordinary people. Through the juxtaposition of literary f iction and historical records, the novel writes an alternative version of American history and reveals the true intentions behind off icial assimilation policies that aimed at eliminating the Native Americans. The three key measures in U.S. Indian policy — the Termination Policy, which ended tribal sovereignty and independence; the Relocation Program, which fostered internal divisions within tribes; and government boarding schools, which severed cultural transmission across generations—collectively inflicted devastating harm on Native Americans. Erdrich not only rewrites the history of racial persecution and tribal struggle obscured in mainstream accounts but also connects the community’s survival experiences to the lives of contemporary Native Americans, offering artistic pathways toward their survival.

Keywords: Louise Erdrich, The Night Watchman, Indian policy, historical reconstruction

Author: Liu Xiangting <liuxiangtinglxt@163.com> is a Ph.D. candidate at the school of Chinese Language and Literature, Nanjing Normal University, Jiangsu, China (210097), specializing in British and American Literature.

音乐与心跳的共振：作为音乐化小说的《神经漫游者》

陈晓泳

内容提要：美国科幻作家威廉·吉布森的《神经漫游者》被视为赛博朋克运动的里程碑。长期以来，学界针对小说中的“赛博”部分已做出多种角度的阐释，而“朋克”作为该文类的另一重要根源却未受到充分关注。小说与朋克乐的渊源极深，吉布森有意识地将朋克的音乐元素与美学手法融入创作之中，与音乐化小说理论产生了明显的共振。与此同时，这部小说也可视作吉布森对音乐体验的文学模拟。他以暗示性语言呈现和召唤身体对朋克乐的体验，强调音乐与身体运动的共振，并提出身体以独特的心跳节奏回应音乐，突破赛博空间桎梏的期许。

关键词：威廉·吉布森 《神经漫游者》 朋克乐 媒介间性 具身性

作者简介：陈晓泳，华东师范大学中文系博士研究生，研究方向为当代英美文学与科幻文学。

Title: The Resonance of Music and Heartbeat: Neuromancer as a Musical Novel

ABSTRACT: The American science f iction writer William Gibson’s Neuromancer has been regarded as a milestone in the cyberpunk movement. Critics have long interpreted the “cyber” part of this novel from different perspectives, while the “punk,” another important root of this genre, has not received suff icient attention. The novel is deeply connected to punk music, and Gibson has deliberately infused punk’s musical and aesthetic elements into his work, which resonates with the theories of musical novel. Furthermore, this novel can be regarded as a literary simulation of Gibson’s experience of music, as he represents the body’s experience of punk music through suggestive language, highlighting the resonance of music and bodily movement. He argues that our body responds to music with a unique rhythm of heartbeat that has the potential to break through the shackles of cyberspace.

Keywords: William Gibson, Neuromancer, punk music, intermediality, embodiment

Author: Chen Xiaoyong <andrewcxy@qq.com> is a Ph.D. candidate in the department of Chinese Language and Literature, East China Normal University, Shanghai, China (200062), specializing in contemporary English literature and science fiction.