论《地下铁道》中的景观私刑

奚 茜　左心如

内容提要：科尔森·怀特黑德的小说《地下铁道》以黑奴科拉的视角向读者呈现了马克·吐温笔下的“私刑合众国”图景。本文聚焦私刑书写，指出小说中的景观私刑借公开处决传统、福音派宗教话语与治安维持会三重旧制延续其合法性，但其暴力内核已蜕变为种族恐吓与大众狂欢。施刑者通过“黑人强奸”“黑人暴力”“黑人愚蠢”等私刑话语试图维持旧的种族秩序，却暴露出“白人性”的脆弱，预示种族幻想的破灭。观众构成暴力共同体，报刊更是将私刑转化为跨时空传播的文本载体。怀特黑德借此引导读者直面美国历史教育中选择性叙事导致的历史断裂。

关键词：科尔森·怀特黑德　《地下铁道》　景观私刑　历史断裂

作者简介：奚茜，文学博士，重庆大学外国语学院讲师，硕士生导师，研究方向为当代英美小说、文学与法律。左心如，重庆大学外国语学院硕士研究生，研究方向为美国文学。本文系教育部人文社会科学研究一般项目青年课题“当代英语小说的法律叙事研究”（24YJCZH347）和中央高校基本科研业务费“当代英美小说中文学元素与法律问题的互动”（2021CDJSKJC24）的阶段性成果。

Title: Spectacle Lynching in The Underground Railroad

ABSTRACT: Colson Whitehead’s novel The Underground Railroad presents, through the perspective of the enslaved protagonist Cora, the spectacle of what Mark Twain termed the “United States of Lyncherdom.” This study focuses on the depiction of lynching in the novel, revealing that spectacle lynching borrows from traditions of public execution, evangelical discourse, and vigilante practices to sustain its legitimacy, while its core violence has mutated into racial terror and mass entertainment. Through lynching discourses such as “Black rape,” “Black violence,” and “Black stupidity,”executioners attempt to salvage a precarious racial order yet ultimately expose the fragility of whiteness and foreshadow the collapse of racial fantasy. The spectators form a violent community, while the press further transforms lynching into a transmissible text across time and space. Whitehead thus helps readers to confront the historical discontinuities resulting from selective narratives in American history education.

Keywords: Colson Whitehead, The Underground Railroad, spectacle lynching, historical rupture

Authors: Xi Xi <xixi2020@cqu.edu.cn> is a lecturer at the School of Foreign Languages and Cultures, Chongqing University, Chongqing, China (401331), specializing in contemporary British and American novels, literature, and law. Zuo Xinru <865773105@qq.com> is an M.A. student at the School of Foreign Languages and Cultures, Chongqing University, Chongqing, China (401331), specializing in American literature.

当代美国小说体育景观书写的文化阐释

  朴 玉

内容提要：体育书写是当代美国小说的独特景观，蕴含深刻的社会意涵与审美价值。作家们在继承体育书写传统的基础上，采用后现代现实主义创作手法，将大众体育活动构建为文化意象，揭示体育在日常生活中的社会功能与文化价值。本文拟以具有代表性的体育书写小说为研究对象，从校园体育、社区体育和国家体育等三个层面考察当代作家如何通过体育叙事建构个人成长、族群关系与国家认同的文化场域，揭示体育景观背后的社会意识形态机制，反思其在彰显美国核心价值观的同时所隐含的文化偏见与他者化倾向，从而深化对体育书写作为文化批评方式的理解。

关键词：美国小说　体育景观　文化　身份

作者简介：朴玉，吉林大学外国语言文化学院教授，主要从事当代英语小说研究。本文为国家社科基金项目“新世纪美国小说的国家认同研究”（18BWW060）的阶段性成果。

Title: The Cultural Representation of Sports Spectacles in Contemporary American Fiction

ABSTRACT: Contemporary American sports writing of fers profound cultural connotations and aesthetic value. Inheriting the tradition of sports writing, writers employ postmodern realism to construct mass sports activities as unique cultural spectacles, highlighting the signif icant role of sports in everyday life. This article explores the cultural connotations and social functions of sports spectacle writing in contemporary American f iction. By selecting representative works of sports writing, it examines how authors create cultural domains that ref lect personal growth, group relations, and national identity through depictions of campus, community, and national sports. The study reveals how these authors, while providing deep insights into social life, illuminate American societal values where notable biases and cultural othering are present, necessitating further critical ref lection.

Keywords: American f iction, sports spectacle, cultural representation, identity

Author: Piao Yu <piaoyu@jlu.edu.cn> is a professor at the School of Foreign Languages and Cultures, Jilin University, Changchun, China (130012), specializing in contemporary literature in English.

论科马克·麦卡锡《血色子午线》中的生成性暴力

     孙　璐

内容提要：科马克·麦卡锡的《血色子午线》彻底颠覆了以特纳“边疆学说”为代表的美国经典建国神话，将19世纪美国西南边疆重塑为暴力创生现代秩序的实验场。在此过程中，物质技术与认知征服共同构筑了暴力的全新形态，两者合流催生了以价值量化和无限扩张为内核的帝国资本主义体系，并自我打造了一套“战争即神”的黑暗神学为其提供终极合法性。小说不仅诠释了美国现代秩序实质上源于技术理性与帝国资本暴力合谋，更以非凡的预见性揭示了当代资本主义危机与全球动荡图景中的暴力底色，为理解美国的边疆历史乃至整个现代性发展进程提供了一种发人深省的批判性视角。

关键词： 《血色子午线》　科马克·麦卡锡　生成性暴力　现代性　帝国资本主义

作者简介：孙璐，上海外国语大学英语学院教授，主要从事当代美国文学与文化研究。本文系作者主持的教育部人文社会科学研究青年基金项目（25YJC752012）、上海市“曙光计划”项目（25SG35）的阶段性成果。

Title: A Study on the Generative Violence in Cormac McCarthy’s Blood Meridian

ABSTRACT: Cormac McCarthy’s Blood Meridian of fers a radical subversion of the classic American founding myth represented by Frederick Jackson Turner’s “Frontier Thesis”, recasting the nineteenth-century American Southwestern frontier as a laboratory where violence operates as a generative force for modern order. Within this process, material technology and cognitive conquest converge to constitute a novel form of violence. Their confluence engenders the system of imperial capitalism def ined by value quantification and limitless expansion, which self-generates a dark theology of “War is God” as its ultimate legitimacy. The novel thus attributes the origins of the American modern order to a violent collusion between technological rationality and imperial capital. Furthermore, with extraordinary prescience, the novel illuminates the violent essence of contemporary capitalist crises and global turmoil, of fering a unique and thought-provoking critical perspective for understanding America’s frontier history and the developmental trajectory of modernity itself.

Keywords: Blood Meridian, Cormac McCarthy, generative violence, modernity, imperial capitalism

Author: Sun Lu <slu118@163.com> is a professor at School of English Studies, Shanghai International Studies University, Shanghai, China (201600), specializing in contemporary American literature and American culture.

仪式 表演：彼得·阿克罗伊德对伦敦“正统”的

解构与反思

   黄天颖　石 坚

内容提要：伦敦是彼得·阿克罗伊德创作的核心与书写对象。在他笔下，伦敦变为一座剧场，不断上演着仪式表演。本文将借助拟剧论，梳理阿克罗伊德的《霍克斯默》《迪伊博士的房子》《丹·雷诺和莱姆豪斯的魔像》中仪式表演的特点，分析仪式表演如何影响了伦敦的时空系统，最终将伦敦拖入到异端意志控制下的“永恒”状态。阿克罗伊德如此设计情节的目的，在于借仪式表演来解构城市内所谓的“正统”文化，展现英国文化具有的多元特质，反思20世纪80年代以来的文化危机。

关键词：彼得·阿克罗伊德　城市书写　仪式表演　多元性　英国文化危机

作者简介：黄天颖，四川大学外国语学院讲师，研究方向为英美城市文学与欧洲研究；石坚，四川大学外国语学院教授，博士生导师，研究方向为英美文学与文学理论研究。本文系2023年度国家社科基金重点项目“近代以来伦敦城市书写中的英国国家形象研究”（23AWW007）阶段性成果。

Title: Ritual Performance: Peter Ackroyd’s Deconstruction and Ref lections on London “Orthodoxy”

ABSTRACT: London is the focus and subject of Peter Ackroyd’s works. In his writing, the city is transformed into a theatre where ceremonial performances are constantly staged. Drawing on dramatic theory, this article examines the characteristics of ritual performance in Ackroyd’s Hawksmoor, The House of Doctor Dee, and Dan Leno and the Limehouse Golem. It analyzes how these ritual performances af fect London’s temporal and spatial systems, ultimately dragging the city into an “eternal” state under the control of heretical will. Ackroyd’s purpose is to use ritual performance to deconstruct the so-called “orthodox” culture within the city, to demonstrate the diverse characteristics of British culture, and to ref lect on the cultural crisis since the 1980s.

Keywords: Peter Ackroyd, city writing, ritual performance, diversity, British cultural crisis

Authors: Huang Tianying <Alfredhty@163.com> is a lecturer at the College of Foreign Languages and Cultures, Sichuan University, Chengdu, China (610207), specializing in British and American urban f iction and European studies. Shi Jian <jishi@scu.edu.cn> is a professor at the College of Foreign Languages and Cultures, Sichuan University, Chengdu, China (610207), specializing in British and American literature and literary theory.

“多佛海滩”上的“共情”之谜：论麦克尤恩

《星期六》中的情感伦理叙事

  郑 杰

内容提要：本文以伊恩·麦克尤恩《星期六》为核心文本，将其置于从“两种文化”论争到“科学文化传统”构建的思想脉络中加以考察。论文聚焦小说结局引发的核心争议：在后“9·11”语境中，文学能否通过激发共情来化解暴力？结合文学伦理学批评与神经伦理学，并参照《黑犬》和《爱无可忍》，本文对小说中共情叙事进行范畴厘清与理论辨析。研究指出，麦克尤恩在叙事层面区分了“情绪共情”与“认知共情”的不同，并揭示了二者在伦理效力上的本质差异。有效的共情并非纯粹的情感共鸣，而是一种依赖神经基础，并经由理性认知与伦理身份确认的主动选择过程。文学想象如诗歌并不直接生成道德情感，而是提供反思自我与他者关系的契机，激发认知共情并导向伦理选择。此结论为《星球六》的结局争议提供新的阐释框架，也深化了对文学功能、情感机制与伦理选择之间关系的讨论。

关键词：麦克尤恩　《星期六》　认知共情　情绪共情　伦理选择　科学文学传统

作者简介：郑杰，广东外语外贸大学英文学院教授，研究方向为现当代戏剧、叙事学研究和文学伦理学批评。本文系2025年度国家社科基金重大项目“西方种族主义的历史源流与当代形态研究”（25&ZD222）的阶段性成果。

Title: The Enigma of Empathy on “Dover Beach”: Emotional-Ethical Narratives in Ian McEwan’s Saturday

ABSTRACT: Focusing on Ian McEwan’s Saturday within the context of his engagement with the “scientif ic literary tradition,” this article addresses a central question: in the post-9/11 context, can literature mitigate violence by evoking empathy? Combining ethical literary criticism with neuroethics, and referencing Black Dogs and Enduring Love, this study clarifies the novel’s conceptualization of the narrative construction of empathy. It argues that McEwan distinguishes between “emotional empathy” and “cognitive empathy,” demonstrating their divergent ethical efficacy. Ef fective empathy is not merely emotional resonance but a process dependent on neural foundations, necessitating rational cognition and confirmation of ethical identity, culminating in ethical choice. Literary imagination does not guarantee redemption; rather, it creates occasions for reflection, catalyzes cognitive empathy, and ultimately facilitates moral action through ethical choice.

Keywords: Ian Mcwan, Saturday, cognitive empathy, emotional empathy, ethical choice, scientif ic literary tradition

Author: Zheng Jie <zhengjie1997@hotmail.com> is a professor at Guangdong University of Foreign Studies, Guangzhou, China (510420). Her research interests include modern and contemporary theatre studies, narrative studies, and ethical literary criticism.

《赎罪》中敦刻尔克记忆的媒介化修辞

   张佳祺　王 欣

内容提要：麦克尤恩的《赎罪》借敦刻尔克大撤退这一在英国国家形象塑造中具有标志意义的历史事件，深度介入二战历史记忆的当代书写。小说将该事件置于多重记忆媒介的交汇场域，运用不同层级的记忆修辞策略与“光辉帝国”英雄主义国家图式叙事模板之间展开隐性对话，从而揭示记忆的媒介生产逻辑及其伦理限度。研究认为，小说呈现出三种相互关联的集体记忆媒介化修辞模式：前线战场的具身型、后方医院的档案型以及元小说结构的协商型。《赎罪》并未提供替代性历史，而是操演了一场敦刻尔克的记忆互媒实践，由此开辟出后记忆时代战争反思的伦理自觉路径。

关键词：伊恩·麦克尤恩　《赎罪》　敦刻尔克　历史记忆　集体记忆修辞　记忆互媒

作者简介：张佳祺，四川大学外国语学院博士生、电子科技大学外国语学院教师，主要从事当代英美文学与媒介记忆研究。王欣，四川大学外国语学院教授、博士生导师，主要从事西方文论与英美文学研究。本文系国家社会科学基金重点项目“近代以来伦敦城市书写中的英国国家形象研究”（23AWW007）的阶段性成果。

Title: The Mediated Rhetoric of Memories of Dunkirk in Atonement

ABSTRACT: Ian McEwan’s Atonement engages deeply with contemporary writings on memories of the Second World War by mobilizing the Dunkirk Evacuation, a historically emblematic episode in the formation of British national identity. Rather than treating Dunkirk as a fixed historical referent, the novel places the event at the convergence of multiple memory media, where heterogeneous rhetorical strategies of remembrance are brought into implicit dialogue with the heroic schematic narrative template of the “glorious empire”. In doing so, Atonement lays bare the media logic governing the production of memory while simultaneously probing the ethical limits of its representational practices. This study delineates three interrelated modes of mediated collective memory rhetoric in the novel: an embodied mode centered on the frontline battlefield, an archival mode situated within the hospital space of the home front, and

a negotiatory mode enacted through the novel’s metafictional structure. Importantly, Atonement does not seek to of fer an alternative history. Instead, it stages an intermedial practice of remembering Dunkirk, thereby opening an ethically self-reflexive pathway for reconsidering war in the post-memory era.

Keywords: Ian McEwan, Atonement, Dunkirk, historical memory, rhetoric of collective memory, intermedial memory

Authors: Zhang Jiaqi <ameliazhang529@qq.com> is a Ph.D. candidate at the College of Foreign Languages and Cultures, Sichuan University, Chengdu, China (610207), and a lecturer at the School of Foreign Languages, University of Electronic Science and Technology of China, Chengdu, China (611731), specializing in media memory studies in contemporary British and American literature. Wang Xin <joywang2002@163.com> is a professor at the College of Foreign Languages and Cultures, Sichuan University, Chengdu, China (610207), specializing in Western literary theory and British and American literature.

卡迈勒·达乌德《默尔索案调查》的跨虚构逆写

  臧小佳

内容提要： 《默尔索案调查》是法国和阿尔及利亚双重国籍作家卡迈勒·达乌德对加缪《局外人》的一次跨虚构逆写实践。通过“逆写帝国”与跨虚构叙事的双重写作策略，达乌德重构了加缪笔下“默尔索案件”的受害者“阿拉伯人”形象，力图恢复这段被殖民者刻意抹去名字的历史，并对前殖民地后独立身份进行政治反思。基于从“边缘”出发的“逆写”和对虚构世界的延续，达乌德挑战了经典法语文学叙事传统，呈现出阿尔及利亚作家从“反抗”走向“和解”的复杂意识建构，也标志着逐步脱离殖民纠缠的非洲法语文学寻求自我定义的新趋向。

关键词：卡迈勒·达乌德　《默尔索案调查》　跨虚构性　逆写帝国

作者简介：臧小佳，西安交通大学外国语学院教授，主要从事法语文学与文学理论研究。本文是国家社科基金项目“新世纪法国文学批评研究”（20BWW049）的阶段性成果。

Title: The Transf ictional “Writing Back” of Kamel Daoud’s The Meursault Investigation

ABSTRACT: The Meursault Investigation (Meursault, contre-enquête) is a transfictional rewriting practice by Algerian French-language writer Kamel Daoud in response to Albert Camus’ The Stranger. Through the dual strategies of “writing back to the empire” and transfictional narrative, Daoud reconstructs the image of the “Arab” victim in Camus’ “Meursault case,” striving to restore a history deliberately erased by colonizers and offering political reflections on post-independence identity in former colonies. Grounded in a “writing back” from the “margins” and the continuation of a fictional world, Daoud’s work challenges the classic narrative tradition of French-language literature. It reflects the complex consciousness of Algerian writers shifting from resistance to reconciliation, while signaling a new trend in African French-language literature as it seeks self-definition by gradually disentangling itself from colonial constraints.

Keywords: Kamel Daoud, The Meursault Investigation, transfictionality, writing back to the Empire

Author: Zang Xiaojia <xjzang@xjtu.edu.cn> is a professor at the School of Foreign Studies, Xi’an Jiaotong University, Xi’an, China (710049). Her research interests include French literature and literary theory.

丛林中的救赎之歌：

《万物自然之道》中的植物话语研究

   李素杰　陈 曦

内容提要：在《万物自然之道》中，澳大利亚女作家夏洛特·伍德通过描写丛林“植物之声”呈现非人类自然的物质能动性，并在刻画女性与丛林植物之间的交流与内在互动中，揭示出一条女性团结抗争的路径。通过探究作品中的澳大利亚丛林植物话语，本文深入分析女性人物在丛林中学习植物思维、探寻生存之路的过程，展示了“植物之声”在帮助女性与植物建构团结合作、反抗压迫的生命共同体中起到的重要作用。从遭受暴力压迫时的寂静之声，到自我意识逐渐复苏、打破沉默的觉醒之声，直至彼此呼应和鸣、以洪亮的声音传播富有生命创造力的生生之声，小说通过对植物声音细腻而富有感染力的描写，呈现了女性与植物在丛林监狱中逐渐觉醒的过程。伍德创造性地塑造了植物与女性之间灵魂知己般的伙伴关系，旨在唤醒女性内在的生命力量，冲破男权枷锁，获得身体与精神的双重解放。

关键词：夏洛特·伍德　《万物自然之道》　植物批评　植物之声　生命共同体

作者简介：李素杰，北京第二外国语学院英语学院教授，研究方向为英美文学、生态批评。陈曦，北京第二外国语学院英语学院研究生，就读方向为英美文学。本文为教育部人文社会科学研究规划基金项目“冯内古特小说中的跨物种叙事研究”（17YJA752007）、国家留学基金委高级访问学者项目留金选【2023】、北京第二外国语学院2025年研究生科学研究重点项目“澳大利亚文学中丛林书写的植物话语研究”阶段性成果。

Title: The Redemptive Song of the Bush: A Study of Plant Language in The Natural Way of Things

ABSTRACT: In The Natural Way of Things, Australian writer Charlotte Wood demonstrates the material agency of non-human nature by portraying the “plant voice” of the Australian bush. The novel depicts communication and intra-action between women and plants, revealing a path of resistance built on female solidarity. By examining the language of bush plants in the novel, this article analyzes the process by which women learn from plant thinking to seek paths for survival, revealing how the “plant voice” assists in constructing a community of life between women and plants in their fight against oppression. Through delicate, evocative depictions of plant sounds, the novel delineates the gradual awakening of plants and women in the bush prison: from utter silence under violence to the voice of awakening, and finally to the voice of “fecundity of life” resonating with vitality. In doing so, Wood builds a soulmate-like alliance between plants and women, rousing women’s inner life force to break patriarchal shackles and

achieve both physical and spiritual liberation.

Keywords: Charlotte Wood, The Natural Way of Things, ecocritical plant studies, plant voice, community of life

Authors: Li Sujie <lisujie@bisu.edu.cn> is a professor at the School of English Studies, Beijing International Studies University, Beijing, China (100024), specializing in English and American literature, environmental literature, and ecocriticism. Chen Xi <15838583580@163.com> is a graduate student at the School of English Studies, Beijing International Studies University, Beijing, China (100024), majoring in British and American literature.

“声音”隐喻与身份政治

—黑托尼《落日的呼唤》论

曹若男　Mehad Mousa

内容提要：借助“声音”隐喻来构画身份政治的坐标和形态，是埃及作家杰马勒·黑托尼在其长篇小说《落日的呼唤》中的巧思。主人公艾哈迈德因“声音”而源发的功修之旅既是个体意识蜕变的共相阐发，更是我与他者在交融互生过程中的身份锚定与建构，在环境移徙冲突里的身份解构与重构。作者对于“声音”与真理向度重合的叙写，基于自我呼唤中认同张力的铺设，以及围绕倾听时多重角色的耦合、万物对立统一的思考，皆饱含了阿拉伯文坛六十年代辈作家对民族发展和国家命运的深刻省察，突显了文学的哲学观照和政治洞见。

关键词：杰马勒·黑托尼　《落日的呼唤》　声音　隐喻　身份政治

作者简介：曹若男，西北大学外国语学院教授，研究方向为文学批评及北非国家的文化历史。Mehad Mousa，西北大学中东研究所教师，研究方向为中阿文学文化翻译。本文是2023年国家社会科学基金项目“埃及语言政治与民族国家建构研究（1952年至今）”（23BSS062）的阶段性成果。

Title: Sound Metaphor and Identity Politics: An Analysis of The Call of the Sunset

ABSTRACT: In his novel The Call of the Sunset, Egyptian writer Gamalal-Ghitani uses the metaphor of sound to delineate the coordinates and forms of identity politics. The spiritual journey of the protagonist Ahmed, initiated by sound, serves not only as a universal exposition of the transformation of individual consciousness but also as a construction of identity between the self and others in the process of mutual integration, a deconstruction and reconstruction of identity amidst environmental conflict. The author’s depiction of the convergence of sound and truth, the tension of identity in self-calling, as well as the coupling of roles in listening, ref lect the profound introspection of the 1960s generation of Arab writers regarding national destiny, which highlights the novel’s philosophical perspective and political insight.

Keywords: Gamal al-Ghitani, The Call of the Sunset, sound, metaphor, identity politics

Authors: Cao Ruonan <cao95@nwu.edu.cn> is a professor at the School of Foreign Languages, Northwest University, Xi’an, China (710127), specializing in literary criticism and North African studies. Mehad Mousa <mehadmousa@nwu.edu.cn> is a teacher at the Institute of Middle Eastern Studies, Northwest University, Xi’an, China (710127), specializing in literary and cultural translation in Chinese and Arabic.

论古尔纳《天堂》的流动性政治

付　满　丁柏钊

内容提要：本文从流动性政治视角切入，剖析阿卜杜勒拉扎克·古尔纳的小说《天堂》在殖民语境下呈现的权力图谱。小说深刻揭示了族裔、阶级与性别三重维度如何交织作用，系统性形塑并限制个体的流动性。古尔纳不仅以其毫不妥协的洞察力解构了殖民主义标榜“进步”与“机会”的流动性神话，更犀利地批判了种族化、阶级化与性别化的权力机制如何共谋，在东非殖民社会系统性生产不公并决定个体命运。

关键词：阿卜杜勒拉扎克·古尔纳　《天堂》　族裔流动性　阶级流动性　性别流动性

作者简介：付满，国防科技大学外国语学院副教授，主要从事英语文学研究、国别与区域研究；丁柏钊，国防科技大学外国语学院博士研究生，研究方向为非洲文学、国别与区域研究。本文系江苏省第六期333高层次人才培养工程的阶段性成果。

Title: On the Politics of Mobility in Abdulrazak Gurnah’s Paradise

ABSTRACT: This study approaches Abdulrazak Gurnah’s novel Paradise through the lens of mobility politics, dissecting the power dynamics it unveils within the colonial context. The novel demonstrates how ethnicity, class, and gender intertwine to systematically shape and constrain individual mobility. With unflinching insights, Gurnah not only deconstructs the colonial myth of “progress” and “opportunity,” but also trenchantly critiques how racialized, class-based, and gendered power mechanisms collude to systematically produce injustice and dictate individual destinies in East Africa’s colonial society.

Keywords: Abdulrazak Gurnah, Paradise, ethnic mobility, class mobility, gender mobility

Authors: Fu Man <fuman@nudt.edu.cn> is an associate professor at the College of International Studies, National University of Defense Technology, Nanjing, China (210039), specializing in English literature and area studies. Ding Bozhao <dingbozhao24@nudt.edu.cn> is a Ph.D. candidate at the College of International Studies, National University of Defense Technology, Nanjing, China (210039), specializing in African literature and area studies.

难以直面的战败羞耻：再论《浮世画家》的战争反思

  刀喊英

内容提要：石黑一雄的小说《浮世画家》刻画了日本民众的战败羞耻。基于情感研究中的羞耻理论和日本的耻感文化，本文尝试分析主人公的羞耻表征，探赜其羞耻与荣耀交织的情动张力，挖掘羞耻内蕴的战争反思。研究认为，小说以羞耻为镜，渲染出日本民众承认侵华战争之难，其难以启“耻”、难以“下咽”和难辞其咎的情感审判折射出日本民众难以直面的战败羞耻。小说借主人公对羞耻的遮蔽、辩解，以及其他人物因羞耻而自杀或愤怒等羞耻的替代性情感，以日本国民视角，揭示其战败耻感，挖掘侵华战争前后社会中的家国情绪，重审其民众的战争反思。

关键词：石黑一雄　《浮世画家》　羞耻　遮蔽　战争反思

作者简介：刀喊英，厦门理工学院外国语学院副教授，主要从事英美文学研究。本文系厦门理工学院“高层次人才科研启动项目”（YSK25003R）的阶段性成果。

Title: The Shame of Unbearable Defeat in World War Ⅱ: A Re-Exploration of War Reflections in An Artist of the Floating World

ABSTRACT: Kazuo Ishiguro’s novel An Artist of the Floating World portrays the Japanese people’s shame of unbearable defeat in World War Ⅱ. Grounded in shame theory from affect studies and Japan’s culture of shame, this article examines the protagonist’s representations of shame, explores the affective tension between shame and pride, and uncovers the war reflections embedded within shame. It argues that the novel utilizes shame as a mirror to represent the difficulty Japanese people faced in confessing to the War of Aggression against China. The protagonist’s difficulty in discussing or facing shame and his inability to absolve himself reflect the unacknowledged shame that cannot be confronted directly. Through the protagonist’s concealment of shame and his justification of militarism, as well as the alternative emotions of other characters, such as shame-induced suicide or anger, the novel presents the shame of post-defeat Japan, exploring the Japanese national sentiment before and after the War of Aggression, and re-examining the populace’s war reflections.

Keywords: Kazuo Ishiguro, An Artist of the Floating World, shame, concealment, war reflections

Author: Dao Hanying <daohanying@xmut.edu.cn> is an associate professor at the School of International Languages, Xiamen University of Technology, Xiamen, China (361024), specializing in British and American literature.

论露易丝·格丽克诗歌中的马赛克图景

郑春晓

内容提要：自白派诗歌以个人经验的直接剖白为主导，倾向于将诗歌的表达固化为单一的情感宣泄，露易丝·格丽克则通过独特的马赛克写作策略对此进行了整改革新。她巧妙地淡化主体情感与自我检视，模糊个人视野与自我意识，将破碎的声音进行镶嵌拼接，构成了一幅幅混沌朦胧却和谐的马赛克式图景。这一革新路径超越了自白派过度沉溺自我的局限，展现出镶嵌性、模糊性和整体性的创作特质，其独特的间离效果和原创性为后自白派诗学发展提供了新的阐释机制和研究视角。

关键词：露易丝·格丽克　马赛克　诗歌

作者简介：郑春晓，中央民族大学外国语学院讲师，主要研究方向为英美诗歌。本文受国家社科基金重大项目“21世纪英语文学纪事与研究”（23&ZD304）资助。

Title: On the Mosaic Tableau in Louise Glück’s Poetry

ABSTRACT: Characterized by a predominance of disclosure, confessional poetry often solidifies poetic expression into an emotional outpouring. Louise Glück, by contrast, embarks on a transformative process of innovation through her unique mosaic writing strategy. She artfully dilutes subjective emotions and self-scrutiny while blurring personal perspectives and self-consciousness, piecing together fragmented voices into a mosaic-like tableau that is chaotic and hazy, yet harmonious. This reformative trajectory, with its qualities of fragmentation, ambiguity, and universality, moves beyond the confines of the Confessionalists’ self-indulgence. Her unique distancing effect and inherent originality of fer novel interpretive frameworks and critical lenses for the development of post-confessional poetics.

Keywords: Louise Glück, mosaic, poetry

Author: Zheng Chunxiao <865433262@qq.com > is a lecturer at the School of Foreign Studies, Minzu University of China, Beijing, China (100081), specializing in British and American poetry. 

非洲文学研究的全球南方转向

—以《20—21世纪非洲文学中的中国形象》为例

史菊鸿

内容提要：长期以来，非洲文学研究由后殖民主义所主导。然而，“全球南方”作为一个强调南方自主的认识论框架，正在重塑非洲文学研究格局。不同于过度依赖话语批判、纠结于南北关系的后殖民主义，全球南方视阈下的非洲文学研究强调结合非洲本土语境，尝试建构非洲自主的文学评价体系，关注点从南北冲突转向南南关联，聚焦书写非洲内部文化互动、亚非关系、跨南大西洋及印度洋的文化交流等议题的文学作品。《20—21世纪非洲文学中的中国》是这一范式转向的生动例证，采用全球南方视角，探讨以中非异质文化之间的交互影响为主题的非洲文学作品，对于探索中国自主的外国文学研究知识体系建构有所启发。

关键词：非洲文学 全球南方 南方自主知识体系 《20—21世纪非洲文学中的中国形象》

作者简介：史菊鸿，兰州大学外国语学院教授，从事非洲文学研究。本文系国家社科基金一般项目“新南非英语小说空间叙事研究”（20BWW069）的阶段性成果。

Title: The Global South Turn in African Literary Studies: Taking China in Twentieth- and Twenty-First-Century African Literature as an Example

ABSTRACT: For decades, African literary studies have been circumscribed by the theoretical framework of postcolonialism. However, the “Global South,” as an epistemology that emphasizes southern agency, is reshaping the landscape of African literary research. Unlike postcolonialism, which relies heavily on discursive critique and focuses on North-South conflicts, the Global South perspective foregrounds African local contexts and seeks to construct Africa’s autonomous literary-evaluative frameworks. It shifts focus from North-South conflicts to South-South cooperation, highlighting texts that explore intra-African cultural interactions, Afro-Asian relations, and cultural exchanges across the South Atlantic and Indian Oceans. China in Twentieth- and Twenty-First Century African Literature offers a compelling illustration of this emerging paradigm. Through a Global South lens, it interrogates African literary works depicting Sino-African cultural interactions. In doing so, the work provides suggestive insights into China’s

construction of a self-determined knowledge system for the study of foreign literature.

Keywords: African literature, Global South, self-determined knowledge system, China in Twentieth- and Twenty-First-Century African Literature

Author: Shi Juhong <shijuhong@lzu.edu.cn> is a professor at the School of Foreign Languages, Lanzhou University, Lanzhou, China (730000). Her research focuses on African literature.

当代西方儿童文学主要特征研究

张生珍

内容提要：自20世纪70年代以来，人类社会逐渐面临各种挑战，生态危机、复杂的意识形态问题、科技的飞速发展、全球政治运动等影响甚至型塑了当代西方儿童文学的创作。作为回应现实问题的儿童文学不仅搭建起青少年读者与时代互动的桥梁，更常常揭示严肃的社会问题，书写儿童从被动的“他者”到具有力量的“主体”的成长历程。承载着儿童主体性和社会问题反思的儿童文学作品中的叙事张力不断提升，其中儿童与成人边界的模糊促进了儿童文学中日益兴盛的跨界现象。

关键词：当代西方儿童文学　主体性　跨界现象

作者简介：张生珍，北京语言大学教授、博士生导师，主要从事世界青少年文学文化批评和当代英语文学思潮研究等。

Title: A Study of the Main Characteristics of Contemporary Western Children’s Literature

ABSTRACT: Contemporary Western children’s literature has been shaped by historical conditions since the 1970s, including ecological crises, complex ideological tensions, rapid technological development, and global political movements. In responding to these real-world challenges, children’s literature not only provides an opportunity for young readers to engage with their era but also frequently confronts serious social problems. This article shows that these works depict children’s growth from passive “others” to empowered “subjects,” and that the narrative tension of such texts has intensified through the interplay between children’s agency and critical reflection on social issues. the increasingly blurred boundary between childhood and adulthood has fostered the flourishing of crossover phenomena within children’s literature.

Keywords: contemporary Western children’s literature, subjectivity, crossover phenomena

Author: Zhang Shengzhen <zhangshengzhen@blcu.edu.cn> is a professor at the School of English and International Studies, Beijing Language and Culture University, Beijing, China (100083), specializing in international children’s literature and culture and contemporary literary thought.

棉、煤、铁： 《地下铁道》中的资本世生成与星球记忆

 窦 洁

内容提要： 科尔森·怀特黑德的《地下铁道》依托推想叙事整合了不同层级人类记忆中的棉、煤与铁三种历史枢纽性物质，反映出“资本世”的生成逻辑及其铭写于地球系统的印记，促成多尺度记忆的交汇，构建起“星球记忆”。小说中，棉花充任资本扩张的引擎，驱动“廉价自然”法则的全球制图并酿成生态灾变，阐明了资本主义的“世界—生态”本质；煤炭与黑人在能源政治中被同构为资本运转的能量来源，将地质—社会的时间节律收编于资本主义的加速范式，塑造出预警式的地质记忆；铁作为固化资本秩序的技术装置，使历史发展锚定于危机持续积聚的轨道。小说动摇了既定的感知尺度，将资本主义定位为牵引星球命运的力量，借由以危机为底色的星球记忆，颠覆了其所标榜的进步神话。

关键词： 科尔森·怀特黑德　《地下铁道》　资本世　推想小说　星球记忆　廉价自然　世界—生态

作者简介：窦洁，山东大学外国语学院博士在读，研究领域为美国文学。本文系国家社科基金青年项目“美国科幻文学中的太空政治书写研究”（24WW038）的阶段性成果。

Title: Cotton, Coal and Iron: The Generation of Capitalocene and Planetary Memory in The Underground Railroad

ABSTRACT: Through speculative narration, Colson Whitehead’s The Underground Railroad entwines cotton, coal, and iron across human memory to reveal the generative logic of the “Capitalocene” and its imprints within the Earth system. This convergence of multi-scalar memory constitutes a “planetary memory.” Cotton, which functions as the engine of capital expansion, drives the global mapping of “Cheap Nature” and leads to ecological catastrophe, elucidating capitalism as a “world-ecology.” Coal and Black bodies fuel the operation of the energy system, compressing the geological-social temporal dimension and leaving behind a geological memory that warns of depletion. Iron, as a technological apparatus consolidating the capitalist order, anchors historical development to a track of accumulated crisis. The text unsettles conventional scales of perception, positioning capitalism as a force steering planetary destiny, and, through planetary memory shaded by crisis, subverts the myth of progress it claims to uphold.

Keywords: Colson Whitehead, The Underground Railroad, Capitalocene, speculative fiction, planetary memory, Cheap Nature, world-ecology

Author: Dou Jie <202420254@mail.sdu.edu.cn> is a Ph.D. candidate at the School of Foreign Languages & Literature, Shandong University, Jinan, China (250100), specializing in American literature.

论詹姆斯·凯尔曼小说的空间流动性书写

程婷婷

内容提要：当代苏格兰小说家詹姆斯·凯尔曼借助小说中的空间流动性叙事对20世纪80年代以降的苏格兰社会现实进行了充分而深刻的体察。新流动性范式注重探究社会流动性与空间流动性的交互关系，为解读凯尔曼小说提供了有效的理论借鉴。《公交售票员海恩斯》和《碰运气的人》中循环往复的通勤轨迹指涉了去工业化浪潮下僵滞的社会阶级流动；《男孩，别哭》中的漫游、铁路与轮渡预示着边缘群体潜在流动性的生成，边界的“解域”与“结域”表征着凝固的社会空间的松动；《尘路清歌》中的全球网络空间勾勒了全球流动性的认知图绘，跨国性流动提供了全球化语境中民族身份的重塑可能。凯尔曼小说中的空间流动形态呈现出从停滞僵化、到解域结域、再到跨界融合的演变，体现了作家从本土关怀到世界性视域的创作意旨流变。

关键词：詹姆斯·凯尔曼　空间流动性　新流动性范式

作者简介：程婷婷，南京师范大学外国语学院博士生，研究方向为当代苏格兰文学。本文系江苏省社科基金项目“苏格兰社会转型期视角下的詹姆斯·凯尔曼作品研究”（20WWD006），江苏省研究生科研创新计划“詹姆斯·凯尔曼小说的流动性书写”（KYCX24_1739）的阶段性研究成果。

Title: Reading Spatial Mobility in James Kelman’s Novels

ABSTRACT: James Kelman, the contemporary Scottish novelist, offers a profound observation of Scottish social reality since the 1980s through the narrative of spatial mobility. The new mobilities paradigm, which focuses on the interaction between social mobility and spatial mobility, provides an effective theoretical lens for interpreting Kelman’s works. The repetitive commuting trajectory in The Busconductor Hines and A Chancer ref lects stagnant social class mobility under the wave of deindustrialization. In Kieron Smith, Boy, the themes of wandering, railways, and ferries foreshadow the potential mobility of marginalized groups, while the deterritorialization and reterritorialization of boundaries indicate a loosening of solidif ied social space. Moreover, the representation of global cyberspace in Dirt Road sketches a cognitive map of global mobility, where transnational movement provides the possibility of reshaping national identity in the context of globalization. The forms of spatial mobility in Kelman’s novels evolve from stagnation and rigidity to deterritorialization and reterritorialization, and f inally to cross-border integration, ref lecting the transformation of Kelman’s creative intention from local concern to a global perspective.

Keywords: James Kelman, spatial mobility, new mobilities paradigm

Author: Cheng Tingting <782147668@qq.com> is a Ph.D. candidate at the School of Foreign Languages and Cultures, Nanjing Normal University, Jiangsu, China (210097), specializing in contemporary Scottish literature.

《放熊归山》的笔记体叙事与战争伦理书写

刘 敏

内容提要：约翰·欧文在其作品《放熊归山》中，采用了具有表演性叙事功能的笔记体形式。这种表演性根植于三个特质：第一人称的有限视角、碎片化的文本呈现、笔记作为“遗物”的物质属性。借由这一表演性载体，欧文塑造了主人公希基这一荒诞英雄形象。他记录的私人化笔记展现出了惊奇情感、思考与判断力。荒诞英雄的笔记叙事批判了战争暴行背后“同一性思维”的结构，揭示了战后西方战胜国所建构的“大屠杀中心主义”叙事霸权所内含的暴力逻辑，并剖析了暴行不断复现的深层动因。通过笔记体的叙事实践，《放熊归山》将文学关于战争伦理的思辨推向了一个新的深度。

关键词：约翰·欧文　《放熊归山》　笔记体　战争暴行

作者简介：刘敏，暨南大学文学院博士研究生，主要从事英美文学研究。本文为国家社科基金艺术类重大项目“中国网络文化审美研究的理论资源”（22ZD05）的阶段性成果。

Title: Notetaking Narrative and War Ethics in Setting Free the Bears

ABSTRACT: In Setting Free the Bears, John Irving adopts a note-based narrative form with performative functions. This performativity is rooted in the limited first-person perspective, the fragmented textual presentation, and the material quality of the notes as “relics.” Through this performative vehicle, Irving shapes the protagonist, Siggy, into an absurd hero who, by taking personal notes, demonstrates his capacity for wonder, reflection, and judgment. The note-based narrative of the absurd hero critiques the structure of “identity thinking” underlying war atrocities, exposes the violent logic embedded in the “Holocaust-centrist” narrative hegemony constructed by victorious Western nations after the War, and analyzes the deep-seated causes of the perpetuation of such atrocities. Through its note-form narrative, Setting Free the Bears pushes the speculative discourse on war ethics in literature to a new level of profundity.

Keywords: John Irving, Setting Free the Bears, note-form narrative, war atrocities

Author: Liu Min <2314225576@qq.com> is a Ph.D. candidate at the School of Chinese Language and Literature, Jinan University, Guangzhou, China (510632), specializing in English literature.

 从叙事重构到范式转换：

作为存在主义成长小说的《别让我走》

 高立新

内容提要：现有研究多从生命政治、创伤叙事或科幻伦理等外部视角解读石黑一雄的《别让我走》，而对其作为“成长小说”这一内部文类特征的阐释不足。本文从文类学与存在主义哲学交叉的视角，系统阐释该小说对经典成长范式的重构，认为它是一部颠覆性的“存在主义成长小说”。首先，小说重构“成长”内核，汤米的成长并非指向社会身份的获得，而是海德格尔式的从“沉沦”走向“向死而生”的本真觉醒；其次，小说揭示艺术“内在解蔽”与“外在证明”的双重性悖论，超越了简单的“艺术救赎”主题；最后，小说的悲剧结局并非成长失败，而是以“本真向死”完成了对工具理性社会的存在主义批判。因此，本文揭示了“成长”在现代性语境中从外向社会化到内向哲学化的深刻转向。

关键词：石黑一雄　《别让我走》　存在主义成长小说　艺术救赎　本真性

作者简介：高立新，上海外国语大学英语学院博士研究生，研究方向为英美文学。

Title: From Narrative Reconf iguration to Paradigm Shift: Never Let Me Go as an Existentialist Bildungsroman

ABSTRACT: Current scholarship on Kazuo Ishiguro’s Never Let Me Go predominantly approaches the novel from external perspectives such as biopolitics, trauma, or scifiethics, while its fundamental nature as a Bildungsroman remains insufficiently explored. Drawing on genre studies and existentialist philosophy, this article systematically analyzes the novel’s radical reconstruction of the classic Bildungsroman paradigm, arguing that it constitutes a subversive existentialist Bildungsroman. First, the novel redefines the core of Bildung, suggesting that the protagonist’s development is directed not towards social integration nor identity formation, but towards a Heideggerian authentic awakening —a movement from fallenness to being-toward-death. Second, the novel reveals the paradoxical duality of art as internal unconcealment and external proof, thereby transcending the conventional theme of artistic redemption. Finally, the tragic denouement signif ies not a failure of growth but an ultimate critique of an instrumental-rational society through a conscious embracement of an authentic being-toward-death. Through this case study, the article traces the profound shift in the concept of Bildung within the modern context — from outward socialization to inward philosophization.

Keywords: Kazuo Ishiguro, Never Let Me Go, existential Bildungsroman, artistic redemption, authenticity

Author: Gao Lixin <gaolx0319@163.com> is a Ph.D. candidate at the School of English Studies, Shanghai International Studies University, Shanghai, China (201620), specializing in British and American literature.