Abstracts in English-2020.3_当代外国文学

human control, but ushering human beings and ash into “the world without us, ” and creating, in the meantime, a brand new world. Zone One conveys Whitehead’s idea of Big History: that human beings live only for a moment in time, disrupting human hypocrisy and anthropocentrism.

Keywords: Colson Whitehead, Zone One, 9/11 ash, anthropocene, big history

Author: Zhou Lingmin <zhoulingsan@163.com> is an associate professor at the

School of Foreign Studies, Southern Medical University, Guangzhou, China (510515),

specializing in American literature.

科马克·麦卡锡“边境三部曲”中交通工具的文化意蕴

张健然　苏　擘

内容提要：交通工具是主体流动性的象征，也是审视人类文化变迁的视点。在

“边境三部曲”中，马匹作为农耕社会的主要交通工具，象征残余自然文化，而汽车与

飞机作为工业社会的重要交通方式，是技术现代性的产物，分别意指主导和新兴技

术文化。通过呈现交通工具的变迁， “边境三部曲”反映了美国现代性历史中传统西

部文化的式微，也探索了技术化语境中新西部文化的出路。

关键词： “边境三部曲”　马匹　汽车　飞机　美国西部文化

作者简介：张健然，四川外国语大学副教授，主要从事美国文学研究。苏擘，河

北大学副教授，主要从事英美文学研究。本文系教育部青年项目“当代美国西部小

说中西部神话的改写研究”（17YJC752040）的阶段性成果。

Title: The Cultural Implications of Vehicles in Cormac McCarthy’s Border Trilogy

ABSTRACT: Vehicles are both a symbol of subject mobility and a point from

which we can examine changes in human culture. In the Cormac McCarthy’s Border

Trilogy, the horse, as the major mode of transportation in agricultural society, symbolizes

nature’s residual culture. However, cars and planes, as important modes of transportation

in industrial society, are products of technological modernity and respectively signify

dominant and emergent technological cultures. Through recording the transformation of

vehicles, the Border Trilogy reflects on the decline of traditional Western culture in the

history of American modernity and explores the outlet for a new mode of Western culture

in the technical context.

Keywords: the Border Trilogy, horse, car, plane, American Western culture

Authors: Zhang Jianran <zhjr2004@163.com> is an associate professor of English

at Sichuan International Studies University, Chongqing, China (400031), specializing in

American literature. Su Bo <jamessooper@163.com> is an associate professor of English

at Hebei University, Baoding, China (071000), whose research interest is in English and

American literature.

论《愚弄鸦族》的后殖民叙事与语言特征

项歆妮

内容提要：詹姆斯·韦尔奇的《愚弄鸦族》通过英语和黑脚语在叙事者话语和人

物交流层面的分布逆转殖民者和被殖民者的权力格局。美国白人医生使用黑脚语作

为叙事语言的“掺混”现象说明存在超越民族偏见、桥接文化差异的可能性。但是，

这种殖民者与被殖民者的二元对立或“掺混”模式造成鸦人和梅花马人的部落语言

在话语层面遭到“吞噬”的可怕现象，揭示了被殖民者内部复杂的权力关系。然而，

语言不通的部落间使用手语交流符合故事发生时期的历史情形，突出了被殖民者之

间的共同点和差异性。

关键词：詹姆斯·韦尔奇　《愚弄鸦族》　后殖民权力格局　语言特征

作者简介：项歆妮，南昌大学外国语学院副教授，主要从事当代美国文学研究。

本文为江西省教育科学规划项目“美国多语教育思想演变研究”（16YB018）成果。

Title: Linguistic Features and Post-Colonial Power Relations in Fools Crow

ABSTRACT: The power relation of the colonizer and the colonized in James

Welch’s Fools Crow is subverted through the distribution of English and Blackfoot in the

discourse of the narrator as well as character communications. The “bleeding” where the

Anglo-American doctor applies Blackfoot in his narrative implies the possibility of over-

coming national prejudices and bridging the gaps of cultures. However, the binary opposi-

tion or blending between the colonizer and the colonized leads to the horrific “glottophagie”

of the tribal languages of the Crows and the Spotted Horse People, revealing complex

dynamic powers among the colonized. Nevertheless, tribes of different languages resort to

the sign language as a means of communication in resonance with the historical circum-

stances of stories, highlighting both commonality and heterogeneity within the colonized.

Keywords: James Welch, Fools Crow, post-colonial power structure, linguistic fea-

ture

Author: Xiang Xinni<xiangxinni@ncu.edu.cn> is an associate professor at School

of Foreign Studies, Nanchang University, Jiangxi, China (330031). Her research interest

is in contemporary American literature.

卡瑞尔·丘吉尔近年剧作的去乌托邦表达

莫詹坤

内容提要：作为享誉英国剧坛半个世纪之久的顶尖剧作家，卡瑞尔·丘吉尔在

近年的戏剧创作中，通过对死亡、瘟疫、饥荒、抑郁等主题的艺术展示，试图揭穿人类

中心主义的乌托邦幻象，并以去乌托邦的方式寻求建立真正意义上的理想世界。本

文以去乌托邦为分析视角，从丘吉尔近年悲剧性剧作中媒介的渗透性、精神的荒原

化、死亡的宿命性等三个层面探讨她对人类命运共同体的深度思考。她近年来的戏

剧创作既代表着她晚年的艺术与哲学思辨，也反映了她身为公共知识分子对人类共

同命运的预言、警示与期待。

关键词：卡瑞尔·丘吉尔　去乌托邦　《独自逃离》　《我们走吧》　《爱与

信息》

作者简介：莫詹坤，南京财经大学外国语学院讲师，主要从事当代西方戏剧、中

西比较文学及诗歌研究。本文系2019年度江苏省社科应用精品工程外语类课题

“卡瑞尔·丘吉尔对东方哲学的追寻”（19SWC — 010）的阶段性成果。

Title: The Dystopian Expression in Caryl Churchill’s Recent Plays

ABSTRACT: One of the leading British playwrights, for nearly half a century Caryl

Churchill’s recent plays tend to unveil anthropocentric utopian illusions through dra-

matic displays of death, plague, famine, depression and other predicaments of survival,

establishing an imagined ideal world through her dystopian style. This article discusses

Churchill’s probe into an intimate community of shared destiny from three aspects: medial

penetration, a spiritual wasteland, and a deathly fatalism. Her dramatic creation in recent

years not only represents her artistic and philosophical thinking, but also reflects this pub-

lic intellectual’s dialectic vision of the human community.

Keywords: Caryl Churchill, dystopia, Escaped Alone, Here We Go, Love and Infor-

mation

Author: Mo Zhankun <mozhankun@ruc.edu.cn> is a lecturer at School of Foreign

Languages, Nanjing University of Finance and Economics, Nanjing, China (210046).

Her research interests are contemporary western drama, comparative literature and poetry

studies.

玄秘世界的空间形象

— 论《霍克斯默》的阴影书写

张　浩

内容提要：彼得·阿克罗伊德作为当代伦敦心理地理学复兴运动的主要文化研

究者和推动者，其小说代表作《霍克斯默》中的阴影空间形象书写具有重要的历史、

文化地理、叙事认知价值和意义，是管窥阿克罗伊德小说精心营造的玄秘世界外部

空间形态的入口和典型的空间叙事形态。阴影作为空间性的存在，其形象直接体现

了空间的复合隐喻性，在小说形式结构层面构成了小说平行时空叙事、人物重现、一

体二身的外部空间形象投射，同时在主题隐喻层面代表着小说中启蒙和后现代两个

时代人性两股基本认知势力冲突的外部投射，是理性崇拜和魔性崇拜二元对立冲突

激荡的外部空间想象的文学再现和表征方式。由此，阿克罗伊德秉承了英国心理地

理学文学中的“复影”书写传统，创造性地运用后现代时空跨界的叙述模式，还原、

质询并拷问了理性与魔性冲突的人性根本问题。

关键词：彼得·阿克罗伊德《霍克斯默》　阴影　复影　暗恐　空间形象

作者简介：张浩，合肥工业大学外国语学院副教授，英美文学研究中心主任，研

究方向为当代英国小说、莎士比亚戏剧及西方文论。本文系合肥工业大学博士研究

基金项目“彼得·阿克罗伊德小说玄秘空间形象叙事研究”（JZ2019HGBZ0181）的

阶段性成果。

Title: Spatial Image of the Occult World: Shadow Writing in Hawksmoor

ABSTRACT: As a major scholar of the contemporary London psychogeography

renaissance, Peter Ackroyd chooses the spatial image of shadow to explore the occult

world of London in his novel Hawksmoor. The spatial image of shadow in Hawksmoor

containssolid cultural, psychological, narrative, cognitive and historical value. It is the en-

trance into the occult world represented inAckroyd’s novel. As a spatial entity, shadow is

the outer spatial projection of a double metaphor, implying the parallel narrative line, the

reappearance of doppelgangers, and the binary between body and soul. It represents the

binary confrontation between the two schools of thought: the worship of reason versus the

worship of Satanism. By means of the spatial image of shadow, Akcroyd carries on the

tradition of “double” in British psychogeography literature and uses postmodern narrative

modes, such as temporal transposition, to examine the fundamental idea of human nature

in conflict via binary oppositions between dark and light, evil and kindness, reason and

Satanism.

Keywords: Peter Ackroyd, Hawksmoor, shadow, double, uncanny, spatial image

Author: Zhang Hao <shakeszh@sina.com> is an associate professor at the

School of Foreign Languages, Hefei University of Technology, Hefei, China (230009),

specializing in contemporary British novels, Shakespearean drama, and western liter-

ary theory.

有活力的物：《开始的诸多方式》中麦格雷戈对物的思考

吴国杰

内容提要：《开始的诸多方式》中主人公大卫·卡特具有强烈的恋物倾向。他自

幼便热衷于收集遗弃之物，成年后成为一名博物馆管理员。在实物的“施魅”下，其

日常生活中的情绪和行动无不受到实物的牵引。该小说呈现了作者麦格雷戈对物的

哲学思考，他强调物的主体性，认为物具有活力，在与人的内在互动中，物能对人发

挥施事功能。对物的主体性的肯定，解构了主体与客体、心智与物质之间的二元对

立，传达了作者去人类中心主义的思想倾向，就对物的认识而言，麦格雷戈是一位生

态后现代主义者。

关键词：物活力　二元对立　去人类中心主义　生态后现代主义

作者简介：吴国杰，北京外国语大学外国文学研究所博士生，重庆师范大学外国

语学院副教授，主要从事英国小说与爱尔兰小说研究。本文为国家社科基金青年项

目“爱尔兰移民小说研究”（13CWW027）成果。

Title: Things with Vitality: McGregor’s Philosophical Thoughts on Things in So

Many Ways to Begin

ABSTRACT: Since childhood, the protagonist David in Jon McGregor’s So Many

Ways to Begin has been collecting discarded objects, and this shapes his professional

choice to become amuseum curator. With his fetish for objects, David is completely un-

der their control; objects shape his feelings and actions. This novel offers the clearest

elucidation of McGregor’s philosophy of things. He stresses the subjectivity and vitality

of things: how things, as actants, can make human beings act through the intra-action be-

tween human and nonhuman. McGregor’s theory of non-anthropocentrism aims to disrupt

the binary opposition of object and subject, mind and matter. In terms of his understand-

ing of the thing, McGregor is an eco-posthumanist.

Keywords: things, vitality, binary opposition, non-anthropocentrism, eco-posthu-

manism

Author: Wu Guojie <echo9733@cqnu.edu.cn> is a Ph. D. candidate at Foreign Lit-

erature Research Institute, Beijing Foreign Studies University, Beijing, China (100089),

and an associate professor at School of Foreign Languages and Literatures, Chongqing

Normal University, Chongqing, China (401331), specializing in British and Irish fiction

studies.

《灵魂兄弟》中隐喻的跨文化书写

王天宇　高　方

内容提要：具有多元文化背景的作家拥有打破单一视角，于文化共融之上重新

发掘、表达事物的优势，其创作有助于推动世界文学的建构。塞内加尔裔法国作家

达维德·迪奥普的小说《灵魂兄弟》将目光聚焦于一个长期失声的历史群体，即一战

中的塞内加尔土著步兵。这是一部寓言式的小说，是非洲与欧洲混合文化的产物。

作者以法语为媒，从非洲自然风俗中汲取丰富的意象，同时依托小说与欧洲文学文

本的互文交织，构建了一个颇具奇幻色彩的隐喻世界。这一跨文化书写为世界文学

反思战争与殖民主义提供了新的视角。

关键词：《灵魂兄弟》　隐喻　跨文化书写　战争　殖民主义

作者简介：王天宇，南京大学、法国国立东方语言文学学院联合培养博士生。高

方，南京大学法语系教授、博士生导师。

Title: The Cross-cultural Writing of Metaphors in Frère d’Ȃme

ABSTRACT: The works of writers with multicultural backgrounds can break from

the constraints of a single perspective, enabling rediscovery and expressions based on cul-

tural integration, thus helping to promote the construction of world literature. The novel

Frère d’Ȃme by David Diop, a French writer of Senegalese descent, focuses on a long-lost

historical group, namely the indigenous infantry of Senegal in the First World War. This

is an allegorical novel, the product of African culture mixed with European culture. Using

the French language as a medium, the author draws rich images from nature and customs

of Africa. Through interweaving European literary texts, he constructs a fantastic meta-

phorical world. This cross-cultural writing offers a new perspective on world literature,

reflecting on war and colonialism.

Keywords: Frère d’Ȃme, metaphor, cross-cultural writing, war, colonialism

Authors: Wang Tianyu <oliviawty@126.com> is a cotutelle Ph.D. candidate at the

School of Foreign Studies, Nanjing University, China (210023) and the National Institute

of Oriental Languages and Civilizations, France (75013). Gao Fang <gaofangparis8@126.

com> is a professor at the School of Foreign Studies, Nanjing University, China (210023).

试论玛格丽特·阿特伍德《证词》中的身份叙事

袁　霞

内容提要：玛格丽特·阿特伍德的小说《证词》是一部有关身份叙事的作品。小

说以三位女主人公的叙述为主线，再现基列国的暴政，展现她们对身份的诉求。叙

事声音背后折射出权力的交锋。在基列国原教旨主义意识形态构建的巨大话语场

中，被压制的群体和个人努力突破重围，开启追寻自我的认知之旅。基列国的权力

运作包括对身份的消除。而在当权者利用权力机器抹除个体身份之时， “血统谱系档

案”的存在不仅保存人们的真实身份，还是战斗的武器和生存的策略。

关键词：玛格丽特·阿特伍德　《证词》　身份叙事

作者简介：袁霞，南京师范大学外国语学院教授，主要从事加拿大文学和生态

批评研究。本文是国家社科基金一般项目“玛格丽特·阿特伍德的伦理思想研究”

（16BWW042）的阶段性研究成果。

Title: Narratorial Identity in Margaret Atwood’s The Testaments

ABSTRACT: Margaret Atwood’s The Testaments is a novel about narratorial iden-

tity. The innermost workings of tyrannical Gilead are explored through the narrative voic-

es of three women protagonists who courageously pursue their identity. The novel shows

how the suppressed groups and individuals strive to expand their boundaries of cognition

within the oppressive field of discourse constructed by Gilead’s fundamentalist ideology.

In a country where authorities use power apparatuses to erase individuality, the Bloodlines

Genealogical Archives help to preserve people’s true identity and prove to be a kind of

survival strategy.

Keywords: Margaret Atwood, The Testaments, narratorial identity

Author: Yuan Xia <njlilyyuan@126.com> is a professor of English at the School of

Foreign Languages and Cultures, Nanjing Normal University, Nanjing, China (210097).

Her major research area is Canadian literature and eco-criticism.

阿特伍德疾病叙事中的医学话语批判

王韵秋

内容提要：疾病在当代文学叙事之中，不仅仅是一种实体，还是一种隐喻。在玛

格丽特·阿特伍德的疾病叙事中，癌症构成了一组独特的“叙事丛”。本文从其“癌

症叙事丛”与性别政治的历史关系切入，聚焦于《肉体伤害》中的乳腺癌，通过分析

乳腺癌的话语生成机制揭示阿特伍德如何一方面借助“癌症隐喻”，呈现医学知识话

语对女性的“微观”规训，另一方面通过“自我指涉”对“癌症隐喻”的文化现象进行

批判，剥离附着于疾病之上的意识形态。这两个方面构成了一种“双向性”，既是阿

特伍德疾病叙事的审美呈现，也是其政治批判的文学策略。

关键词：疾病叙事　知识话语批判　性别政治　玛格丽特·阿特伍德

作者简介：王韵秋，杭州电子科技大学外国语学院讲师、博士，近期从事创伤叙

事与疾病叙事研究。本文系国家社科基金后期资助一般项目“玛格丽特·阿特伍德

的创伤叙事与现代性批判”（19FWWB027）的阶段性成果。

Title: Gender Politics of Cancer: A Critique of Medicine’s Discourse of Knowledge

in Atwood’s Disease Narrative

ABSTRACT: As a disease, cancer is not only a substance, but also a metaphor in

contemporary literature. In Margaret Atwood’s disease narrative, cancer constitutes a

unique “narrative constellation”. Based on an analysis of the historical relationship be-

tween the “cancer narrative constellation” and gender politics, this article focuses on

breast cancer in Bodily Harm with an aim to reveal how Atwood artistically uses cancer

as a metaphor to present the micropower of medical knowledge exerted on women on the

one hand and, on the other hand, how she disentangles the ideology attached to disease by

self-referentially criticizing the phenomenon of using disease as metaphors. These two as-

pects constitute a “two-way” style, which not only encompasses the aesthetic presentation

of Atwood’s disease narrative, but also the literary strategies of her political criticism.

Keywords: disease narrative, critique on knowledge discourse, gender politics, Mar-

garet Atwood

Author: Wang Yunqiu <yunqiuwang1983@163.com> is a lecturer at the School

of Foreign Languages, Hangzhou Dianzi University, Hangzhou, China (310018). Her re-

search interests include trauma narrative and disease writing.

当代俄罗斯戏剧的英译接受

王树福

内容提要：根据戏剧现象与剧作内容的不同，当代俄罗斯戏剧的英译大致包含

先锋戏剧、女性戏剧、 “新戏剧”和后现代主义戏剧四个维度，关注重点是剧作反映的

日常生活和道德伦理，接受核心是剧作蕴涵的启蒙理念与审美理性。当代俄罗斯戏

剧英译在选择角度、认知方式、评价标准、译介态势、传播方式等方面别有特色，其接

受路径是立足西方中心主义文明价值观，淡化当代俄罗斯戏剧的意识形态和民族地

域特色，扩展其符合审美理性的普遍价值。

关键词：当代俄罗斯戏剧　译介接受　日常生活　道德伦理　审美理性

作者简介：王树福，文学博士，华中师范大学文学院教授、桂子青年学者，黑龙江

大学俄罗斯语言文学与文化研究中心、国际文学伦理学批评研究中心和湖北文学理

论与批评研究中心研究员，主要从事俄罗斯文学、戏剧和文学伦理学批评研究。本

文系国家社会科学基金一般项目“白银时代俄罗斯戏剧转型研究”（17BWW042）

和教育部哲学社会科学研究重大课题攻关项目“多卷本《俄国戏剧史》编纂与重要

资料翻译研究”（19JZD030）的阶段性成果。

Title: On English Translation and Reception of Contemporary Russian Drama

ABSTRACT: English translation of contemporary Russian drama can be divided

into four categories: avant-garde drama, drama by female playwrights, “New Drama” and

post-modern drama. Focusing on daily life and moral ethics, English reception of these

plays involves attentiveness to enlightenment ideas and aesthetic rationality. The transla-

tions distinguish themselves in selection of terms, style of cognition, criteria of evaluation,

situation of translation and communication methods. They tend to embrace “Western”

values, diluting the original plays’ Russian ideology and their national (Russian) and re-

gional characteristics. The translations attempt to universalize the plays’ values.

Keywords: contemporary Russian drama, translation, reception, daily life, moral

ethics, aesthetic rationality

Author: Wang Shufu <ccnuwangshufu@126.com> is a professor at School of Chi-

nese Language and Literature, Central China Normal University, Wuhan, China (430079)

and a part-time researcher at Center of Russian Language, Literature and Culture Re-

search, Heilongjiang University, Harbin, China (150080), International Center for Literary

Ethical Criticism, and Center of Literary Theory and Criticism Research in Hubei (430079).

His research interest is in Russian literature, drama and ethical literary criticism.

论村上春树《挪威的森林》中的

身份困惑与伦理思考

任　洁

内容提要：《挪威的森林》是村上春树的经典之作，反映了日本后现代社会中人

们普遍存在的伦理身份困惑问题。小说首先对伦理身份的困惑与选择进行了事实描

述，通过直子、渡边等人物形象展开对如何解决一系列伦理问题的探讨，并通过他们

表现出来的理性意识的启示展开对自我选择的伦理思考，暗示如何运用理性意识解

决身份困惑问题。在考察村上人生经历及小说内外部伦理环境的基础上，可以看出

日本战后持续十余年的学生运动是引发村上一系列伦理思考的重要源头之一，通过

小说村上力图表达的绝非只是对某一个体命运的伦理关怀，其中必然饱含了他对历

史及现实的深刻伦理反思。

关键词：村上春树　《挪威的森林》　文学伦理学批评　伦理身份　伦理选择

作者简介：任洁，浙江大学外国语言文化与国际交流学院博士后，主要研究方向

为日本文学、文学伦理学批评。本文系国家社科基金重大招标项目“当代西方伦理

批评文献的整理、翻译与研究”（19ZD292）的阶段性成果之一，并受第67批“中国

博士后科学基金资助项目”（2020M671682）资助。

Title: On the Confusion of Ethical Identity and Ethical Thinking in Haruki Muraka-

mi’s Norwegian Wood

ABSTRACT: Norwegian Wood is a classic of Haruki Murakami, reflecting the con-

fusion of ethical identity that prevails in Japanese postmodern society. The novel explores

a series of ethical problems through describing the characters’ confusion and choice of an

ethical identity. Finally, it develops its ethical thinking on self-selection by revealing their

rational consciousness, which solves the problem of their confusion about their identity.

Based on Murakami’s life experience and ethical contexts in and outside the novel, this

article argues that the student movement that lasted for more than ten years after the war

is one of the important sources of Murakami’s ethical thinking. He expresses his ethical

concern for the fate of an individual, and reflects, ethically, on history and reality in pro-

found terms.

Keywords: Haruki Murakami, Norwegian Wood, ethical literary criticism, ethical

identity, ethical choice

Author: Ren Jie <renjie_85@163.com> is working towards her postdoctoral re-

search at School of International Studies, Zhejiang University, Hangzhou, China (310058).

Her research focuses on Japanese literature and ethical literary criticism.

论毗湿摩·萨赫尼《黑暗》中的

教派冲突书写和社会空间生产

何　宁　廖　波

内容提要：本文以印地语长篇小说《黑暗》中的教派冲突书写为着眼点，借助列

斐伏尔“社会空间”这一理论视角，阐述小说中教派主义与印度社会中宗教、政治、

资本、种姓、性别等问题的联系与互动，探讨毗湿摩·萨赫尼笔下印度教派主义问题

的本质，大致勾勒出教派主义从外部因素进入社会空间、最终成为社会关系中一部

分的动态过程，以期为我们进一步认识和了解印度教派主义问题与其未来发展趋势

提供一种路径。

关键词：毗湿摩·萨赫尼《黑暗》　教派冲突　教派主义　社会空间

作者简介：何宁，信息工程大学洛阳外国语学院硕士研究生，主要从事印地语文

学研究。廖波，博士，信息工程大学洛阳外国语学院副教授，主要从事印度文学、文

化研究。

Title: Sectarian Conflict Writing and Socio-Spatial Production in Bhisham Sahni’s

Tamas

ABSTRACT: This article focuses on the sectarian conflict in Bhishma Sahni’s Hindi

novel Tamas. Drawing on Lefebvre’s notion of social space, it explains the connection and

interaction between sectarianism and different groups in Indian society, thereby to explore

the nature of sectarianism and analyze the process by which sectarianism enters social

space from external factors and eventually becomes a part of social relations, hopefully

providing a path for us to further understand the sectarian issues in India and their future

trends.

Keywords: Bhishma Sahni, Tamas, sectarian conflict, sectarianism, social space

Authors: He Ning <hening2016056@163.com> is an M.A. candidate at Luoyang

Foreign Languages College, Information Engineering University, Luoyang, Henan, China

(471003). His major academic interest is in Hindi literature. Liao Bo <lb_liao@163.com>

is an associate professor at Luoyang Foreign Languages College, Information Engineering

University, Luoyang, Henan, China (471003). His major academic interest is in Hindi lit-

erature and Indian culture.

全球、残障与物种

— 论辛哈《动物之人》的动物叙事

段　燕　王爱菊

内容提要：因德拉·辛哈的《动物之人》是当代印度英语文学的代表作之一。作

者根据自身的历史记忆与社会责任，在虚实转换中构筑出不同的动物叙事风貌，揭

示了权力在人类他者与动物他者之间的相互交缠，挖掘了物种主义与种族主义、能

者主义之间的内在关联，批判了人与动物的二元对立及其所折射的人类中心主义。

全球正义、残障权益和动物伦理在不同界面上都牵涉到意识形态和道德哲学的话语

构建，动物议题不仅是物种的生存状况问题，也是一场有关公共政策的社会运动，是

一个国家乃至整个人类文明程度的反映。

关键词：因德拉·辛哈　《动物之人》　动物研究

作者简介：段燕，南京财经大学外国语学院讲师，博士，研究方向为英美文学；王

爱菊，武汉大学外国语学院教授，博士，研究方向为英美文学。

Title: Globalization, Disability, and Species: Animal Narrative in Indra Sinha’s Ani-

mal’s People

ABSTRACT: Indra Sinha’s Animal’s People is a representative work of contempo-

rary Indian English literature. Based on Sindha’s historical memory and social responsi-

bility, the author creates a diverse animal narrative through mixing fictional and realistic

representations, revealing the intertwining of power between the human Other and the ani-

mal Other, unearthing the internal connection between speciesism and racism/ableism, and

criticizing the anthropocentrism inherent within the human and animal binary. Global jus-

tice, disability rights and animal ethics all involve, in different ways, the discursive con-

struction of ideology and moral philosophy. The animal issue is not only about the surviv-

al of species; it is also a social movement on public policy which reflects on the level of

civilization of a nation and even all humanity.

Keywords: Indra Sinha, Animal’s People, animal studies

Authors: Duan Yan <duansophie@163.com> is a lecturer at the School of Foreign

Languages and Literature, Nanjing University of Finance and Economics, Nanjing, China

(210023), specializing in English and American literature. Wang Aiju <wangaiju@whu.

edu.cn> is a professor at the School of Foreign Languages and Literature, Wuhan Univer-

sity, Wuhan, China (430072), specializing in English and American literature.

《上帝帮助孩子》中的

肤色隐喻与美国后种族时代神话

王　卓

内容提要：2015年，托尼·莫里森出版了小说《上帝帮助孩子》。这是当时已

84岁高龄的莫里森当代书写的首秀。该小说以肤色返祖隐喻重构种族歧视现场，

在历史和当下之间建构起自由往返的桥梁，使得莫里森能立足当下，对所谓后种族

时代特有的肤色歧视和肤色消费问题进行深入思考，从而揭示出美国后种族神话

的荒谬。

关键词：莫里森《上帝帮助孩子》肤色返祖肤色歧视后种族时代

作者简介：王卓，文学博士，山东师范大学外国语学院、外国文学与文化研究中

心教授，博士生导师，主要从事现当代美国文学研究。本文为国家社科基金后期资

助项目《丽塔·达夫研究》（17FWW009）的阶段性研究成果。

Title: The Skin Trope and Myth of Post-Racial America in Morrison’s God Help the

Child

ABSTRACT: God Help the Child is Toni Morrison’s first book on contemporary

American life. This book reconstructs the scene of racism through the trope of skin ata-

vism. It builds a bridge between the past and the present, enabling Morrison to meditate

on such issues as colorism and black consumption in the so-called post-racial era and ex-

pose the absurdity of the post-racial myth in America.

Keywords: Toni Morrison, God Help the Child, skin atavism, colorism, post-racial

era

Author: Wang Zhuo <wangzhuo_69@sina.com> is a professor of English at Shan-

dong Normal University, Jinan, China (250014). Her major research area is modern and

contemporary American literature.

论索因卡对莎士比亚创作思想的继承与拓展

陈　梦

内容提要：非洲第一位诺贝尔文学奖得主沃莱·索因卡既是一位杰出的莎士比

亚研究专家，又是莎士比亚戏剧创作思想的继承人和拓展者，被称为“非洲的莎士比

亚”。索因卡善于融会贯通和开拓创新，在创作中结合非洲民族传统和当代戏剧特

点，对莎士比亚的人道主义思想、现实批判精神、人物塑造手法和性格刻画技巧进行

了创造性吸收与借鉴，推出了一系列具有鲜明莎士比亚特色而又体现索因卡个性特

点的著名戏剧作品。索因卡对莎士比亚创作思想的继承与拓展，显示了索因卡对莎

士比亚戏剧的现代价值挖掘，为世界戏剧发展做出了贡献。

关键词：索因卡　戏剧创作　莎士比亚

作者简介：陈梦，文学博士，惠州学院文学与传媒学院教授，主要研究方向

为东方文化与比较文学。本文系国家社科基金后期资助项目“索因卡戏剧研究”

（19FWWB011）的阶段性成果。

Title: On the Inheritance and Extension of Shakespeare in Soyinka’s Writing

ABSTRACT: Wole Soyinka is the first African Nobel Prize winner. He is not only a

notable expert in Shakespeare studies but also an inheritor of Shakespeare’s dramaturgy,

and is often called “Shakespeare in Africa”. Soyinka’s work reflects his skills at integra-

tion and innovation. In his work, he combines the African tradition and the aesthetics of

contemporary drama with Shakespeare’s humanitarian thought, social critique, and vivid

characterization. The result is a series of plays that smack of Shakespeare but are uniquely

Soyinka. Soyinka thus excavates the modern values of Shakespeare’s plays and makes a

contribution to today’s world drama.

Keywords: Wole Soyinka, drama, Shakespeare

Author: Chen Meng <1047232653@qq.com> is a professor at the School of Liter-

ature and Communication, Huizhou University, Huizhou, China (516007), specializing in

Eastern culture and comparative literature.

雷蒙·威廉斯与二战后的英国马克思主义

李　超

内容提要：雷蒙·威廉斯曾将二战之后的英国马克思主义概括为三股潮流：民

粹主义、文化主义、改良主义，然而这三股潮流又成为伊格尔顿、霍尔、汤普森等人用

来批评威廉斯文化理论的工具。本文通过分析威廉斯对这种三种思潮的反思，以及

他的“文化”、 “共同文化”、 “大众文化”、 “文化革命”等概念与这三种思潮之间的关系来阐释威廉斯的马克思主义观。威廉斯文化理论与这三种思潮并不是简单对应关

系，他的思想中包含着民粹主义、文化主义和改良主义色彩，但这并不是一些抽象不

变的立场，而是动态的复杂关联。

关键词：雷蒙·威廉斯　民粹主义　文化主义　改良主义

作者简介：李超，文学博士，河北师范大学文学院讲师，主要研究方向为西方文

论与当代文化批评。本文为河北省社会科学基金青年项目“社会主义文艺视角下雷

蒙·威廉斯‘威尔士三部曲’研究”（HB19ZW008）的阶段性成果。

Title: Raymond Williams and British Marxism since 1945

ABSTRACT: Raymond Williams once divided Marxism in Britain since 1945 into

three categories: populism, culturalism, and reformism. However, Terry Eagleton, Stuart

Hall, E. P. Thompson in turn used these three terms to criticize Williams’s cultural theory.

This article examines Williams’s reflection on these categories and their relationships with

his concepts such as “culture”, “common culture”, “popular culture”, and “cultural revo-

lution.” There are elements of populism, culturalism and reformism in William’s thought,

but his position is not abstract or unchanging, but involved in a dynamic and complex

connection.

Keywords: Raymond Williams, populism, culturalism, reformism

Author: Li Chao <lichaoshanxi@126.com> is a lecturer at the Faculty of Liberal

Arts, Hebei Normal University, Shijiazhuang, China (050024). His academic interests in-

clude Western literary theories.

论《哈利·波特》中的亚瑟王与骑士精神重构

于　敏

内容提要：骑士精神是英国封建贵族文化的核心，在中世纪之后对英国文化的

影响经久不断。当代英国作家J. K. 罗琳的《哈利·波特》系列小说讲述主人公哈

利的冒险与成长故事，着力刻画了哈利与反派人物伏地魔之间的相似。本文从雷

蒙·威廉姆斯的文化模型出发，分析《哈利·波特》系列所体现的英国不同文化形态

之间的动态关联，认为哈利与伏地魔的相似性源于二者由英国骑士文学的核心人物

亚瑟王一体双生，分别代表了骑士精神的某些侧面，二者的胜负是当代文化选择的

结果。罗琳作品中的互文性重构，反映出英国资本主义主导文化对原属贵族文化的

骑士精神的选择性吸收，哈利所体现的新骑士精神对个人主义具有补充和指导作用。

关键词：骑士精神　亚瑟王贵族文化　互文　哈利·波特

作者：于敏，南京大学外国语学院博士生，淮阴工学院讲师，研究方向为英国文

学。本文为江苏省高校哲学社会科学研究基金项目“中世纪浪漫传奇的当代重写研

究”（2018SJA1618）的阶段性成果。

Title: Rewriting King Arthur and Chivalry in Harry Potter

ABSTRACT: Chivalry, as the core of English feudal aristocratic culture, shows a

continuous influence on British culture after the Middle Ages. The Harry Potter series,

by contemporary British writer J. K. Rowling, feature the adventures and growth of the

titular hero, Harry Potter, with an emphasis on the similarity between Harry and his vi-

cious rival Voldemort. Based on Raymond Williams’s theory of culture, this essay ana-

lyzes the dynamic interrelationship between different forms of British culture embodied

in the Harry Potter series. The similarity between Harry and Voldemort results from their

shared origins in King Arthur, a core figure of English chivalric literature, and their em-

bodiment of different aspects of chivalry. The outcome of their conflict reveals the role of

chivalry within contemporary British culture. Through intertextual reconstruction, Rowl-

ing’s works reflect a selective incorporation of the aristocratic culture of chivalry into the

dominant British capitalist culture, with Harry’s new chivalry serving as a supplementary

instruction on individualism.

Keywords: chivalry, King Arthur, aristocratic culture, intertextuality, Harry Potter

Author: Yu Min <cameoyu@sina.com> is a Ph.D. candidate at the School of Foreign

Studies, Nanjing University, Nanjing, China (210023), and an associate professor at Huai-

yin Institute of Technology, Huai’an, China (223001), specializing in British literature.

论奥尔加·托卡尔丘克

《太古和其他的时间》的文体实验

黄炜星

内容提要：《太古和其他的时间》是奥尔加·托卡尔丘克探索文学讲述世界方

式的核心文本。在叙事结构上，小说营构一种独特的“星群”框架，通过故事星粒之

间的耦合、增殖和互文，形成一种独立和统一相辩证的叙事形态。在创作技法上，小

说采取“温柔”的叙述手段，以轻击重，展现出一种轻盈化的叙事风格。在诗学主题

上，小说以诗性思维解蔽科学思维，强调非线性、不稳定和无序的意义，折射了深刻

的混沌诗学思想。《太古和其他的时间》具有先锋的文体实验性，彰显了奥尔加以小

说探索世界的“百科全书式”跨界特色。

关键词：奥尔加·托卡尔丘克　《太古和其他的时间》　文体实验

作者简介：黄炜星，复旦大学中国语言文学系博士生，主要研究方向为叙事学与

世界文学。

Title: Constellation, Litheness, and Chaos: The Stylistic Experiment in Primeval and

Other Times

ABSTRACT: In Primeval and Other Times, Olga Tokarczuk explores and recounts

the world. The novel adopts a unique “constellation” narrative structure. Through cou-

pling, proliferation and intertextuality, its narration forms a dialectical relationship be-

tween independence and unity. Moreover, the novel takes a “gentle” approach in a lithe

style. Its poetic thinking illuminates scientific thinking, emphasizes the significance of

non-linearity, instability and disorder, and offers a profound poetics of chaos. Primeval

and Other Times is a pioneering stylistic experiment, which demonstrates the “encyclope-

dic” border crossing that characterizes Tokarczuk’s world-exploring novels.

Keywords: Olga Tokarczuk, Primeval and Other Times, stylistic experiment

Author: Huang Weixing <498486348@qq.com> is a Ph.D. candidate at the Depart-

ment of Chinese Language and Literature, Fudan University, Shanghai, China (200433),

specializing in narratology and world literature.

日本轴心社会的“祛中心化”嬗变

— 《浮世画家》话语权力分析

王　妍

内容提要：话语彰显社会形态的各色嬗变，能够对特定时期、特定社会形态进行

具象化描述。《浮世画家》作为石黑一雄最具日本风情的作品，描写日本轴心社会在

二战后凸显的社会景观，以及社会关系和社会价值观的“祛中心化”嬗变。社会景

观中空间区域的内外凋敝导致日本主体性的动摇；社会关系在利益作用的驱动下使

主体产生异质性变化；社会价值观表现为主体意识形态和行为模式的断裂式迥异。

本文透过话语建构下的权力分析，以话语实践方式揭示轴心国主体形象的“祛中心

化”，探讨作品刻画的日本社会各色嬗变的意义所在。

关键词：石黑一雄《浮世画家》　话语权力　祛中心化

作者简介：王妍，苏州大学外国语学院博士研究生，江苏科技大学副教授，研究

方向为英美文学。本论文系2017江苏省社会科学基金项目（17WWD001）和2018

江苏省研究生科研与实践创新计划项目（KYCX18_2295）的阶段性成果。

Title: Decentralized Transformation of Japanese Axis Society in An Artist of the

Floating World

ABSTRACT: Discourse highlights social transformations and enables a concrete de-

scription of specific social patterns at a given time. An Artist of the Floating World by Ka-

zuo Ishiguro depicts three aspects of the decentralized transformation of “Japanese Axis

Society” after World War II: a declining social landscape, with cracks in the subjectivity of

Japanese society itself; interest-driven social relationships causing heterogeneous changes

in the society; and social values manifest in the discrepancy between ideology and behav-

ior. Analyzing the power of discourse based on discourse construction, this article tries to

reveal the “decentralization” of “Japanese Axis Society” in terms of its subject image and

explore the significance of Ishiguro’s portrayal of Japan’s various social transformations.

Keywords: Kazuo Ishiguro, An Artist of the Floating World, power of discourse de-

centralization

Author: Wang Yan <sophia-js163@163.com> is a Ph.D. candidate at School of

Foreign Languages, Soochow University, Suzhou, China (215006) and a teacher at Jiang-

su University of Science and Technology, Zhenjiang, China (212003), majoring in British

and American literature.

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